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NOW A MAJOR MOTION PICTURE Isserley spends most of her time driving. But why is she so interested in picking up hitchhikers? And why are they always male, well-built and alone?
Hailed as "original and unsettling, an Animal Farm for the new century" (The Wall Street Journal), this first novel lingers long after the last page has been turned. Described as a "fascinating psychological thriller" (The Baltimore Sun), this entrancing novel introduces Isserley, a female driver who picks up hitchhikers with big muscles. She, herself, is tiny--like a kid peering up over the steering wheel. Scarred and awkward, yet strangely erotic and threatening, she listens to her hitchhikers as they open up to her, revealing clues about who might miss them if they should disappear. At once humane and horrifying, Under the Skin takes us on a heart-thumping ride through dangerous territory--our own moral instincts and the boundaries of compassion. A grotesque and comical allegory, a surreal representation of contemporary society run amok, Under the Skin has been internationally received as the arrival of an exciting talent, rich and assured.
Alessandra Lemma - Winner of the Levy-Goldfarb Award for Child Psychoanalysis! Under the Skin considers why people pierce, tattoo, cosmetically enhance, or otherwise modify their body, from a psychoanalytic perspective, discussing how the therapist can understand and help individuals who feel body modification is necessary.
James Rudolph Youngblood, aka Jimmy the Kid, is an enforcer, a "ghost rider" for the Maceo brothers, Rosario and Sam, rulers of "the Free State of Galveston," who are prospering through illicit pleasures in the midst of the Great Depression. Raised on an isolated West Texas ranch that he was forced to flee at age eighteen following the violent breakup of his foster family, Jimmy has found a home and a profession in Galveston -- and a mentor in Rose Maceo. Looming over Jimmy's story like an ancient curse is the specter of his fearsome father. Their ties of blood, evident since Jimmy's boyhood, have been drawn tighter over time. Then a strange and beautiful girl enters his life and a swift and terrifying sequence of events is set in motion. Jimmy must cross the border and go deep into the brutal and merciless country of his ancestors -- where the story's harrowing climax closes a circle of destiny many years in the making.
On the edge . . . Over the line . . . UNDER THE SKIN Elizabeth Goodweather and her city-girl sister, Gloria, couldn’t be more different. Elizabeth lives on a farm in the Great Smoky Mountains. Gloria lives in Florida off an ex-husband’s fortune. Gloria is a beauty; Elizabeth isn’t. Now, to Elizabeth’s intense displeasure, Gloria parks herself at Full Circle Farm, on the run from her latest man, who, she insists, is trying to kill her. Elizabeth thinks this is just another of her sister’s fantasies. Besides, Elizabeth has her wedding to plan—if only she can overcome her fear that the man who already shares her life may not be what he appears to be. In this haunting tale from the heart of Appalachia, Vicki Lane draws together past and present, good and evil, folklore and secrets, mesmerizing readers with the mysterious bond of true sisterhood—richer than blood, stronger than the passage of time. From the Paperback edition.
The body as an object of critical study dominates disciplines across the humanities to such an extent that a new discipline has emerged: body criticism. In Getting Under the Skin, Bernadette Wegenstein traces contemporary body discourse in philosophy and cultural studies to its roots in twentieth-century thought—showing how psychoanalysis, phenomenology, cognitive science, and feminist theory contributed to a new body concept—and studies the millennial body in performance art, popular culture, new media arts, and architecture. Wegenstein shows how the concept of bodily fragmentation has been in circulation since the sixteenth century's investigation of anatomy. The history of the body-in-pieces, she argues, is a history of a struggling relationship between two concepts of the body—as fragmented and as holistic. Wegenstein shows that by the twentieth century these two apparently contradictory movements were integrated; both fragmentation and holism, she argues, are indispensable modes of imagining and configuring the body. The history of the body, therefore, is a history of mediation; but it was not until the turn of the twenty-first century and the digital revolution that the body was best able to show its mediality. After examining key concepts in body criticism, Wegenstein looks at the body as "raw material" in twentieth-century performance art, medical techniques for visualizing the human body, and strategies in popular culture for "getting under the skin" with images of freely floating body parts. Her analysis of current trends in architecture and new media art demonstrates the deep connection of body criticism to media criticism. In this approach to body criticism, the body no longer stands in for something else—the medium has become the body.
Can it ever get better? This is the question Benjamin Watson is asking. In a country aflame with the fallout from the racial divide—in which Ferguson, Charleston, and the Confederate flag dominate the national news, daily seeming to rip the wounds open ever wider—is there hope for honest and healing conversation? For finally coming to understand each other on issues that are ultimately about so much more than black and white? An NFL tight end for the New Orleans Saints and a widely read and followed commentator on social media, Watson has taken the Internet by storm with his remarkable insights about some of the most sensitive and charged topics of our day. Now, in Under Our Skin, Watson draws from his own life, his family legacy, and his role as a husband and father to sensitively and honestly examine both sides of the race debate and appeal to the power and possibility of faith as a step toward healing.

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