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Entertainment Weekly's Favorite Novel of 2011 Esquire's 2011 Book of the Year A New York Times Notable Book for 2011 A Washington Post Notable Fiction Book for 2011 One of NPR's 10 Best Novels of 2011 Ten years after 9/11, a dazzling, kaleidoscopic novel reimagines its aftermath A jury gathers in Manhattan to select a memorial for the victims of a devastating terrorist attack. Their fraught deliberations complete, the jurors open the envelope containing the anonymous winner's name—and discover he is an American Muslim. Instantly they are cast into roiling debate about the claims of grief, the ambiguities of art, and the meaning of Islam. Their conflicted response is only a preamble to the country's. The memorial's designer is an enigmatic, ambitious architect named Mohammad Khan. His fiercest defender on the jury is its sole widow, the self-possessed and mediagenic Claire Burwell. But when the news of his selection leaks to the press, she finds herself under pressure from outraged family members and in collision with hungry journalists, wary activists, opportunistic politicians, fellow jurors, and Khan himself—as unknowable as he is gifted. In the fight for both advantage and their ideals, all will bring the emotional weight of their own histories to bear on the urgent question of how to remember, and understand, a national tragedy. In this deeply humane novel, the breadth of Amy Waldman's cast of characters is matched by her startling ability to conjure their perspectives. A striking portrait of a fractured city striving to make itself whole, The Submission is a piercing and resonant novel by an important new talent.
As the 2022 French Presidential election looms, two candidates emerge as favourites: Marine Le Pen of the Front National, and the charismatic Muhammed Ben Abbes of the growing Muslim Fraternity. Forming a controversial alliance with the political left to block the Front National’s alarming ascendency, Ben Abbes sweeps to power, and overnight the country is transformed. This proves to be the death knell of French secularism, as Islamic law comes into force: women are veiled, polygamy is encouraged and, for our narrator François – misanthropic, middle-aged and alienated – life is set on a new course. Submission is a devastating satire, comic and melancholy by turns, and a profound meditation on faith and meaning in Western society.
A controversial, intelligent, and mordantly funny new novel from France's most famous literary figure Paris, 2022. François is bored. He's a middle-aged lecturer at the Sorbonne and an expert on J. K. Huysmans, the famous nineteenth-century "decadent" author. But François's own decadence is considerably smaller in scale. He sleeps with his students, eats microwave dinners, reads the classics, queues up YouPorn. Meanwhile, it's election season. And although Francois feels "about as politicized as a hand towel," things are getting pretty interesting. In an alliance with the socialists, France's new Islamic party sweeps to power. Islamic law comes into force. Women are veiled, polygamy is encouraged, and Francois is offered an irresistible academic advancement--on condition that he convert to Islam. Adam Gopnik in The New Yorker has said of this novel that "Houellebecq is not merely a satirist but--more unusually--a sincere satirist, genuinely saddened by the absurdities of history and the madnesses of mankind." Michel Houellebecq's Submission may be satirical and melancholic, but it is also hilarious; a comic masterpiece by one of France's great novelists.
Half-brothers Michel and Bruno have a mother in common but little else. Michel is a molecular biologist, a thinker and idealist, a man with no erotic life to speak of and little in the way of human society. Bruno, by contrast, is a libertine, though more in theory than in practice, his endless lust is all too rarely reciprocated. Both are symptomatic members of our atomised society, where religion has given way to shallow 'new age' philosophies and love to meaningless sexual connections. Atomised tells the stories of the two brothers, but the real subject of the novel is the dismantling of contemporary society and its assumptions, its political incorrectness, and its caustic and penetrating asides on everything from anthropology to the problem pages of girls' magazines. A dissection of modern lives and loves. By turns funny, acid, infuriating, didactic, touching and visceral.
The most celebrated and controversial French novelist of our time now delivers his magnum opus—about art and money, love and friendship and death, fathers and sons. The Map and the Territory is the story of an artist, Jed Martin, and his family and lovers and friends, the arc of his entire history rendered with sharp humor and powerful compassion. His earliest photographs, of countless industrial objects, were followed by a surprisingly successful series featuring Michelin road maps, which also happened to bring him the love of his life, Olga, a beautiful Russian working—for a time—in Paris. But global fame and fortune arrive when he turns to painting and produces a host of portraits that capture a wide range of professions, from the commonplace (the owner of a local bar) to the autobiographical (his father, an accomplished architect) and from the celebrated (Bill Gates and Steve Jobs Discussing the Future of Information Technology) to the literary (a writer named Houellebecq, with whom he develops an unusually close relationship). Then, while his aging father (his only living relative) flirts with oblivion, a police inspector seeks Martin’s help in solving an unspeakably gruesome crime—events that prove profoundly unsettling. Even so, now growing old himself, Jed Martin somehow discovers serenity and manages to add another startling chapter to his artistic legacy, a deeply moving conclusion to this saga of hopes and losses and dreams.
Winner of the Margaret Mahy Award "Some rivers should not be swum in. Some rivers hold secrets that can never be told." Te Arepa is an adventurous Maori boy, bound to the history, customs and rituals of his people. Yet when he comes upon a giant eel while fishing, he is convinced the creature is a taniwha, or water demon, and follows it. Yet what Te Arepa finds in the river is far different, far more sinister. And it will change his life forever. Te Arepa has always been curious about experiencing life beyond his tribe. His wishes seem granted when he is awarded a scholarship at a prestigious boarding school, far away from the Maori. Leaving behind his family and their traditions, Te Arepa sets out to discover a strange new world with customs of its own...as well as new enemies. When he arrives at school, Te Arepa finds the freedom and everything it offers intoxicating. But to fit in, he realizes that he must shed his identity, culture, and even his name. And he comes to realize that what the water demon showed him in the darkness of the river that day changed him, and that freedom comes with a heavy price.
A bureaucrat with a taste for pre-packaged goods, Michel Renault travels to Thailand where he begins to gain a taste for the exotic and sensual, an interest that draws him into an intense love affair with Valerie. 35,000 first printing.

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