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Presents case studies and instructions on how to solve data analysis problems using Python.
A #1 NEW YORK TIMES BESTSELLER One of the most salient features of our culture is that there is so much bullshit. Everyone knows this. Each of us contributes his share. But we tend to take the situation for granted. Most people are rather confident of their ability to recognize bullshit and to avoid being taken in by it. So the phenomenon has not aroused much deliberate concern. We have no clear understanding of what bullshit is, why there is so much of it, or what functions it serves. And we lack a conscientiously developed appreciation of what it means to us. In other words, as Harry Frankfurt writes, "we have no theory." Frankfurt, one of the world's most influential moral philosophers, attempts to build such a theory here. With his characteristic combination of philosophical acuity, psychological insight, and wry humor, Frankfurt proceeds by exploring how bullshit and the related concept of humbug are distinct from lying. He argues that bullshitters misrepresent themselves to their audience not as liars do, that is, by deliberately making false claims about what is true. In fact, bullshit need not be untrue at all. Rather, bullshitters seek to convey a certain impression of themselves without being concerned about whether anything at all is true. They quietly change the rules governing their end of the conversation so that claims about truth and falsity are irrelevant. Frankfurt concludes that although bullshit can take many innocent forms, excessive indulgence in it can eventually undermine the practitioner's capacity to tell the truth in a way that lying does not. Liars at least acknowledge that it matters what is true. By virtue of this, Frankfurt writes, bullshit is a greater enemy of the truth than lies are.
Colm Tóibín’s New York Times bestselling novel—now an acclaimed film starring Saoirse Ronan and Jim Broadbent nominated for four Academy Awards including Best Picture—is “a moving, deeply satisfying read” (Entertainment Weekly) about a young Irish immigrant in Brooklyn in the early 1950s. “One of the most unforgettable characters in contemporary literature” (Pittsburgh Post-Gazette), Eilis Lacey has come of age in small-town Ireland in the hard years following World War Two. When an Irish priest from Brooklyn offers to sponsor Eilis in America, she decides she must go, leaving her fragile mother and her charismatic sister behind. Eilis finds work in a department store on Fulton Street, and when she least expects it, finds love. Tony, who loves the Dodgers and his big Italian family, slowly wins her over with patient charm. But just as Eilis begins to fall in love, devastating news from Ireland threatens the promise of her future. Author “Colm Tóibín…is his generation’s most gifted writer of love’s complicated, contradictory power” (Los Angeles Times). “Written with mesmerizing power and skill” (The Boston Globe), Brooklyn is a “triumph…One of those magically quiet novels that sneak up on readers and capture their imaginations” (USA TODAY).
Hailed as one of the "most significant books of the twentieth century" by Journalism and Mass Communication Quarterly, Mediating the Message has long been an essential text for media effects scholars and students of media sociology. This new edition of the classic media sociology textbook now offers students a comprehensive, theoretical approach to media content in the twenty-first century, with an added focus on entertainment media and the Internet.
This novel completes the informal trilogy which began with Swami and Friends and The Bachelor of Arts. The protagonist, Krishna, is an English teacher at the same college he had attended as a student. Although Krishna has recently married, his wife Susila and their daughter live with his parents-in-law some miles away. The story opens with his immediate family deciding to join him in Malgudi. Krishna is initially frightened by his new state of affairs, but he soon finds that his love for both his wife and child grows deeper than he could have imagined. "Mr. Narayan has repeatedly been compared with Chekhov. Ordinarily such comparisons are gratuitous and strained, but in this case there are such clear and insistent echoes that any careful reader will be aware of them. There is that sense of rightness which transcends mere structure. There is the inexplicable blending of tragedy and humor. Most of all, there is a brooding awareness of fate which makes the story seem not authored, but merely translated."—J.F. Muehl, Saturday Review "[Narayan] does not deal in exemplary fates, and the Western novel's machinery of retribution is far too grandiose for him. . . . In Narayan's world, scores are not settled but dissolved, recycled, restated. 'Both of us will shed our forms soon and perhaps we could meet again, who knows? So goodbye for the present.' These are the concluding words for the novel A Tiger for Malgudi, but they constitute a universal epilogue one could append to most of Narayan's fiction."—Russell Davies, Times Literary Supplement
#1 NEW YORK TIMES BESTSELLER If you want to build a better future, you must believe in secrets. The great secret of our time is that there are still uncharted frontiers to explore and new inventions to create. In Zero to One, legendary entrepreneur and investor Peter Thiel shows how we can find singular ways to create those new things. Thiel begins with the contrarian premise that we live in an age of technological stagnation, even if we’re too distracted by shiny mobile devices to notice. Information technology has improved rapidly, but there is no reason why progress should be limited to computers or Silicon Valley. Progress can be achieved in any industry or area of business. It comes from the most important skill that every leader must master: learning to think for yourself. Doing what someone else already knows how to do takes the world from 1 to n, adding more of something familiar. But when you do something new, you go from 0 to 1. The next Bill Gates will not build an operating system. The next Larry Page or Sergey Brin won’t make a search engine. Tomorrow’s champions will not win by competing ruthlessly in today’s marketplace. They will escape competition altogether, because their businesses will be unique. Zero to One presents at once an optimistic view of the future of progress in America and a new way of thinking about innovation: it starts by learning to ask the questions that lead you to find value in unexpected places.

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