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The second prequel traces the rise of the Antichrist and the journey of the main characters--including Rayford, Chloe, and Buck--toward the Rapture where the seven-year Tribulation awaits them. 250,000 first printing.
The second prequel traces the rise of the Antichrist and the journey of the main characters--including Rayford, Chloe, and Buck--toward the Rapture where the seven-year Tribulation awaits them.
The countdown to Rapture begins as Marilena Carpathia unknowingly gives birth to the Antichrist, and half a world away, God's plans begin to take form in young Ray Steele.
Will unbelievers and half-hearted churchgoers have 7 more years to make up their minds about Christ after He raptures the Church? LEFT BEHIND gives them all a 'second chance.' But is that what Jesus taught? His parables of the talents, the wise and foolish virgins, the wheat and the tares, and the faithful and evil servant all show him returning unexpectedly with both rewards and punishments in his hands. Neither the parables nor the plain words of Christ teach a second chance for those surprised by his coming. But LEFT BEHIND does. Few Christians realize LEFT BEHIND tosses aside the teachings of Luther, Calvin, Tyndale, Wesley, Wycliffe and Spurgeon. Read dozens of quotes from these and other respected sources that show LEFT BEHIND strays far from the truths Bible readers have understood for centuries. Author of JEHOVAH'S WITNESSES ANSWERED VERSE BY VERSE and MORMONS ANSWERED VERSE BY VERSE (Baker Book House), David A. Reed is known worldwide as an expert in refuting false prophecy.
The popular Left Behind series by Tim LaHaye and Jerry Jenkins has sold more than 62 million copies since the first volume appeared in 1995. Jerry Falwell pronounced it the most important series of books in the history of modern Christianity. Many readers have assumed it gives the true facts about the way the world will end and what will happen to all the people in it. But according to real biblical scholarship, this series is seriously flawed. Based on a misreading of many scriptures, including Daniel and the Book of Revelation, it has fed a kind of hysteria in the Christian populace that has led many people to reorder their existence in expectation of an impending doom and the sudden, unexpected return of Jesus. In this book, William Powell Tuck carefully and authoritatively refutes the premises and faulty theology of the Left Behind books, critiquing them in the light of genuine biblical scholarship and common sense.
The specter of the apocalypse has always been a semiotic fantasy: only at the end of all things will their true meaning be revealed. Our long romance with catastrophe is inseparable from the Western hermeneutical tradition: our search for an elusive truth, one that can only be uncovered through the interminable work of interpretation. Catastrophe terrifies and tantalizes to the extent it promises an end to this task. 9/11 is this book’s beginning, but not its end. Here, it seemed, was the apocalypse America had long been waiting for; until it became just another event. And, indeed, the real lesson of 9/11 may be that catastrophe is the purest form of the event. From the poetry of classical Greece to the popular culture of contemporary America, The End of Meaning seeks to demonstrate that catastrophe, precisely as the notion of the sui generis, has always been generic. This is not a book on the great catastrophes of the West; it offers no canon of catastrophe, no history of the catastrophic. The End of Meaning asks, instead, what if meaning itself is a catastrophe?
This wide-ranging exploration of the apocalypse in Western culture seeks to understand how we have come to be so preoccupied with spectacular visions of our own annihilation—offering abundant examples of the changing nature of our imagined destruction, and predisposing readers to discover many more all around them. • Illustrations showcase the widespread belief in apocalypse, including medieval drawings as well as contemporary photographs and movie stills • A wide-ranging bibliography points the way to significant materials from the fields of history, literature, popular culture, theology, and more

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