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A poor fisherman dreams of wealth and happiness for his family when he finds a priceless pearl
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Just after the iron curtain fell on Eastern Europe John Steinbeck and acclaimed war photographer, Robert Capa ventured into the Soviet Union to report for the New York Herald Tribune. This rare opportunity took the famous travellers not only to Moscow and Stalingrad - now Volgograd - but through the countryside of the Ukraine and the Caucasus. A RUSSIAN JOURNAL is the distillation of their journey and remains a remarkable memoir and unique historical document. Steinbeck and Capa recorded the grim realities of factory workers, government clerks, and peasants, as they emerged from the rubble of World War II. This is an intimate glimpses of two artists at the height of their powers, answering their need to document human struggle
“This swashbuckling tale of greed and great literature will remind you why Pearl is the reigning king of popular literary historical thrillers. His latest is guaranteed to delight lovers of history and mystery.”—Library Journal (starred review) book'a-neer' (bŏŏk'kå-nēr'), n. a literary pirate; an individual capable of doing all that must be done in the universe of books that publishers, authors, and readers must not have a part in London, 1890—Pen Davenport is the most infamous bookaneer in Europe. A master of disguise, he makes his living stalking harbors, coffeehouses, and print shops for the latest manuscript to steal. But this golden age of publishing is on the verge of collapse. For a hundred years, loose copyright laws and a hungry reading public created a unique opportunity: books could easily be published without an author’s permission. Authors gained fame but suffered financially—Charles Dickens, Mark Twain, Robert Louis Stevenson, to name a few—but publishers reaped enormous profits while readers bought books inexpensively. Yet on the eve of the twentieth century, a new international treaty is signed to grind this literary underground to a sharp halt. The bookaneers are on the verge of extinction. From the author of The Dante Club, Matthew Pearl, The Last Bookaneer is the astonishing story of these literary thieves’ epic final heist. On the island of Samoa, a dying Robert Louis Stevenson labors over a new novel. The thought of one last book from the great author fires the imaginations of the bookaneers, and soon Davenport sets out for the South Pacific island. As always, Davenport is reluctantly accompanied by his assistant Fergins, who is whisked across the world for one final caper. Fergins soon discovers the supreme thrill of aiding Davenport in his quest to steal Stevenson’s manuscript and make a fortune before the new treaty ends the bookaneers’ trade forever. But Davenport is hardly the only bookaneer with a mind to pirate Stevenson’s last novel. His longtime adversary, the monstrous Belial, appears on the island, and soon Davenport, Fergins, and Belial find themselves embroiled in a conflict larger, perhaps, than literature itself. In The Last Bookaneer, Pearl crafts a finely wrought tale about a showdown between brilliant men in the last great act of their professions. It is nothing short of a page-turning journey to the heart of a lost era. From the Hardcover edition.
First published in 1939, Steinbeck’s Pulitzer Prize winning epic of the Great Depression chronicles the Dust Bowl migration of the 1930s and tells the story of one Oklahoma farm family, the Joads, driven from their homestead and forced to travel west to the promised land of California. Out of their trials and their repeated collisions against the hard realities of an America divided into haves and have-nots evolves a drama that is intensely human yet majestic in its scale and moral vision, elemental yet plainspoken, tragic but ultimately stirring in its human dignity. A portrait of the conflict between the powerful and the powerless, of one man’s fierce reaction to injustice, and of one woman’s stoical strength, the novel captures the horrors of the Great Depression and probes the very nature of equality and justice in America. Sensitive to fascist and communist criticism, Steinbeck insisted that "The Battle Hymn of the Republic” be printed in its entirety in the first edition of the book—which takes its title from the first verse: He is trampling out the vintage where the grapes of wrath are stored.” As Don DeLillo has claimed, Steinbeck shaped a geography of conscience” with this novel where there is something at stake in every sentence.” Beyond that—for emotional urgency, evocative power, sustained impact, prophetic reach, and continued controversy—The Grapes of Wrathis perhaps the most American of American classics.
This third volume in The Library of America's authoritative edition of John Steinbeck's writings shows one of America's most enduring popular writers continuing restlessly to explore new subject matter and new approaches to storytelling. The Moon Is Down (1942), set in an unnamed Scandinavian country under German occupation, dramatizes the transformation of ordinary life under totalitarian rule and the underground struggle against the Nazi invaders. In Cannery Row (1945) Steinbeck paid tribute to his closest friend, the marine biologist Ed Ricketts, in the central character of Doc, proprietor of the Western Biological Laboratory and spiritual and financial mainstay of a cast of philosophical drifters and hangers-on. The comic and bawdy evocation of the main street of Monterey's sardine-canning district has made this one of the most popular of all Steinbeck's novels. Steinbeck's long involvement with Mexican culture is distilled in The Pearl (1947). Expanding on an anecdote he had heard about a boy who found a pearl of unusual size, Steinbeck turned it into an allegory of the corrupting influence of sudden wealth. The Pearl appears here with the original illustrations by José Clemente Orozco. Ambitious in scale and original in structure, East of Eden (1952) recounts the violent and emotionally turbulent history of a Salinas Valley family through several generations. Drawing on Biblical parallels, East of Eden is an epic that explores the writer's deepest and most anguished concerns within a landscape that for him had mythic resonance.

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