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In our culture, watching movies is a universal experience but understanding film may not be. The Film Experience reaches out to students, connecting their experiences watching movies with better understanding and knowledge of the medium's full scope. Timothy Corrigan and Patricia Whites classroom favorite is both authoritative and joyful about watching, analyzing, and understanding film. With clips from classic and contemporary films (Rear Window, Life of Pi, Moonrise Kingdom, Chinatown, and many others) plus hundreds of movie images and other graphics, the thoroughly revised new edition covers everything from editing to cinematography to narrative genres, all in a cultural context that reinforces why films and film study matter. The book's featuresForm in Action, Film in Focus, and Concepts at Work combine text, stills, and links to videos online to explore specific films, scenes, and trends in depth.
The Film Experience is a comprehensive introduction to film that recognizes students as movie fans while surpassing all other texts in helping them understand the art form’s full scope. Noted scholars and teachers Tim Corrigan and Patricia White capture the complete film experience, situating their strong coverage of the medium’s formal elements within the larger cultural contexts that inform the ways we all watch film—from economics and exhibition to marketing and the star system. A host of learning tools gives students the support they need to make the transition from movie fan to critical viewer. Now with a sharper focus that highlights the essential formal and cultural concepts of cinema, and a powerful new suite of video and media, The Film Experience is the consummate introductory film text. Read the preface.
The Film Experience is the only text to combine a serious, comprehensive approach to the study of film with a practical and engaging style. This dynamic text discusses form and technique within historical and cultural contexts and makes the connection between how film techniques work and how they shape a film's many possible meanings.The Film Experience meets students where they are as avid movie fans and then moves them toward becoming critical viewers and writers.
The new edition of this popular textbook offers a fresh approach to the study of film, combining print and digital media to enhance the learning experience. The Film Experience enables students to link their personal experiences of watching movies to a greater overall understanding of the medium's full scope, covering everything from editing to cinematography to narrative genres. This multi-media pack contains the print textbook and LaunchPad access for an additional �5 per student. LaunchPad is an interactive online resource that helps students see film concepts in action and achieve better results. Dozens of clips from recent and classic films can be accessed on LaunchPad, providing easily accessible common ground for classroom discussion, assessments and assignments. For more information on LaunchPad including how to request a demo, access our support centre, and watch our video tutorials, please visit here. Request a demo or instructor access.
In what ways do films influence and interact with society? What social forces determine the kinds of movies that get made? How do movies reinforce—and sometimes overturn—social norms? As societies evolve, do the films that were once considered ‘great’ slip into obscurity? Which ones? Why? These questions, and many others like them, represent the mainstream of scholarly film studies today. In Engaging Cinema, Bill Nichols offers the first book for introductory film students that tackles these topics head-on. Published in a handy 'trade paperback' format, Engaging Cinema is inexpensive and utterly unique in the field—a perfect complement to or replacement for standard film texts.
This comprehensive introduction to film text focuses on three topics: how movies express meanings, how viewers understand those meanings, and how cinema functions globally as both an art and a business. Using clear, accessible, and jargon-free writing, this is the only introductory film text to examine the elements of film style and the viewer's contribution to the cinema experience. How do viewers interpret the effects filmmakers create? How do filmmakers anticipate, and build on, the likely ways viewers will react to certain kinds of stories and audio-visual designs? The text examines both how filmmakers create images and sounds and the mechanisms and processes by which viewers make sense of images and stories on screen. This approach helps students understand not only the basic concepts but also how their own reactions and opinions impact the overall film experience."
Film: An Introduction covers the movies students know and the films their instructors want them to know — including the silent classics of D.W. Griffith and Sergei Eisenstein, the Hong Kong cinema of John Woo, the documentaries of Errol Morris and Michael Moore, and the contemporary films of Quentin Tarantino and Peter Jackson. Through meticulous coverage, an unmatched art program with over 500 frame enlargements, accessible language, and unique study tools, Film helps beginning students develop the critical skills they need to analyze films and understand the medium in all its variety.

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