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It starts with just one body – tortured, mummified and then discarded. Its discovery reveals a nightmare world of hidden lives. Of lost identities, secret rituals and brutal exploitation, where nobody can be trusted. This is the darkest, most complex case the police have ever seen. This is the world of the Crow Girl.
THE INTERNATIONAL SENSATION It starts with just one body – tortured, mummified and then discarded. Its discovery reveals a nightmare world of hidden lives. Of lost identities, secret rituals and brutal exploitation, where nobody can be trusted. This is the darkest, most complex case the police have ever seen. This is the world of the Crow Girl.
The International Sensation It begins in a Stockholm city park where the abused body of a young boy is discovered. Detective Superintendent Jeanette Kihlberg heads the investigation, battling an apathetic prosecutor and a bureaucratic police force unwilling to devote resources to solving the murder of an immigrant child. But with the discovery of the mutilated corpses of two more children, it becomes clear that a serial killer is at large. Superintendent Kihlberg turns to therapist Sofia Zetterlund for her expertise in the psychopathology of those who kill, and the lives of the two women become quickly intertwined—professionally and personally. As they draw closer to each other and to the truth about the killings, what surfaces is the undeniable fact that these murders are only the most obvious evidence of an insidious evil woven deep into Swedish society. From the Hardcover edition.
A timeless novel about the kindness of strangers Near a little cove where a brook runs out to the sea live a girl and her grandmother. All alone with no neighbors at all, the two lead a peaceful existence. They have a house, dine on sea kale and mussels and sand snails, and build fires from driftwood. But the grandmother is very old. When the time comes that the girl must bury the woman, she makes up a funeral song about the birds she is watching: Two crows never fly alone, and death is never, ever past. The next day the same crows seem to beckon her, and so the Crow-Girl begins her journey, one in which she will meet people both warm and cold, hurt and hurtful. And the Crow-Girl, before she knows it, has the makings before her of a new family . . . This lyrical story, with its characters' moments of darkness always overcome through incredible humanity, introduces a strong new voice for American readers.
Lily Stanfield is an outsider. Girls bully her, boys don't notice she's alive. But when she meets the crows in the Wakeless Woods, a new Lily is born ...
“The sun came out after the war and our world went Technicolor. Everyone had the same idea. Let’s get married. Let’s have kids. Let’s be the ones who do it right.” The Way the Crow Flies, the second novel by bestselling, award-winning author Ann-Marie MacDonald, is set on the Royal Canadian Air Force station of Centralia during the early sixties. It is a time of optimism--infused with the excitement of the space race but overshadowed by the menace of the Cold War--filtered through the rich imagination and quick humour of eight-year-old Madeleine McCarthy and the idealism of her father, Jack, a career officer. Ann-Marie MacDonald said in a discussion with Oprah Winfrey about her first book, “a happy ending is when someone can walk out of the rubble and tell the story.” Madeleine achieves her childhood dream of becoming a comedian, yet twenty years later she realises she cannot rest until she has renewed the quest for the truth, and confirmed how and why the child was murdered.. Publishers Weekly, in a starred review, called The Way the Crow Flies “absorbing, psychologically rich…a chronicle of innocence betrayed”. With compassion and intelligence, and an unerring eye for the absurd as well as the confusions of childhood, , MacDonald evokes the confusion of being human and the necessity of coming to terms with our imperfections.
Lila has just moved to a new town and can't wait to make friends at school. But on the first day, a boy points at her and shouts: "A crow! A crow! The new girl's hair is black like a crow!” The others whisper and laugh, and Lila's heart grows as heavy as a stone. The next day, Lila covers her hair. But this time, the boy points at her dark skin. When she covers her face, he mocks her dark eyes. Now every day at school, Lila hides under her turtleneck, dark glasses, and hat. And every day when she goes home, she sees a crow who seems to want to tell her something. Lila ignores the bird and even throws rocks at it, but it won't go away. Meanwhile, the great autumn festival is approaching. While the other kids prepare their costumes, Lila is sadder and lonelier than ever. At her lowest point of despair, a magical encounter with the crow opens Lila's eyes to the beauty of being different, and gives her the courage to proudly embrace her true self.

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