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Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told. The Count of Monte Cristo is an adventure novel by French author Alexandre Dumas completed in 1844. It is one of the author's most popular works, along with The Three Musketeers.
The Count of Monte Cristo (French: Le Comte de Monte-Cristo) is an adventure novel by French author Alexandre Dumas (père). It is one of the author's most popular works, along with The Three Musketeers. Dumas completed the work in 1844. The story takes place in France, Italy, islands in the Mediterranean, and in the Levant during the historical events of 1815–1838. It is an adventure story primarily concerned with themes of hope, justice, vengeance, mercy and forgiveness, it focuses on a man who is wrongfully imprisoned, escapes from jail, acquires a fortune and sets about getting revenge on those responsible for his imprisonment. However, his plans have devastating consequences for the innocent as well as the guilty. The book is considered a literary classic today. According to Luc Sante, "The Count of Monte Cristo has become a fixture of Western civilization's literature, as inescapable and immediately identifiable as Mickey Mouse, Noah's flood, and the story of Little Red Riding Hood." This English translation was originally published in 1846 by Chapman and Hall, London.
This highly entertaining novel about three Franciscan monks is something of a departure for author Ambrose Bierce, who typically wrote about his own time. The story, which takes the form of a diary penned by the main character, Ambrosius. Though he faithfully carries out the duties of his office, he struggles with temptation, particularly after meeting the beguiling Benedicta, who happens to be the hangman's daughter of the title.
Relates a sailor's preparation for and execution of revenge against the three men responsible for his fifteen years in prison.
A representation of a narrative inquiry conducted with five ninth grade boys that were identified as displaying multiple literacies, looking specifically at how these boys storied their literate identities.
‘In this gem of a book, Salman Akhtar turns his erudite gaze on fear, greed, guilt, deception, betrayal, and revenge. He draws from a wide spectrum of psychoanalytic theories and includes insights from developmental research, contemporary neuroscience, and even poetry and literature. The result is a fresh and scholarly synthesis of ideas about human suffering that will stimulate both the novice and seasoned clinician alike. It is crafted by a master of the written word.’ — Fakhry Davids, London ‘What gives this book its special character is the deep humanity with which Salman Akhtar explores “unnecessary, pathological but remediable suffering”. The wide and penetrating lens of his exploration, and the fact that each emotion is looked at in phenomenological, developmental, and sociocultural aspects, gives the book both a universal value and a contemporary flavour. It also evokes in the clinician and the reader a renewed tolerance towards the complexity of human emotions.’ — Maria Teresa Savio Hooke, Sydney ‘In this original and comprehensive analysis of six basic human emotions, Salman Akhtar has achieved a unique integration of the phenomenological, sociocultural, and psychopathological aspects of these sources of human suffering. Fear, greed, guilt, deception, betrayal, and revenge are clarified as essential human challenges, and the psychoanalyst’s struggle in unmasking and resolving their destructive aims is masterfully illustrated with clinical case material. An extensive and carefully selected bibliography complements what might become an essential text for the experienced clinician as well as a wonderful overview for the entire spectrum of psychodynamic psychotherapists.’ — Otto Kernberg, New York ‘Using his theoretical, clinical, and teaching skills, Salman Akhtar explores the intricacies of six sources of human suffering from various perspectives. The book is exceptionally rich in clinical vignettes, which illustrate with candour the sources of suffering of both patient and analyst. Profound, yet clear and didactic, it is a rare blend of scholarship, poetry, sharp wit, and therapeutic skill. Learning from this book about the sources of human suffering is an enriching intellectual and emotional experience.’ — Ilany Kogan, Jerusalem

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