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In the wake of a Munich writer's assassination, Mossad agent Gabriel Allon and Vatican priest Pietro embark on dangerous journeys that reveal long-buried secrets affecting the fates of millions of people. Reprint.
The first Gabriel Allon novel from #1 New York Times bestselling author Daniel Silva. Immersed in the quiet, meticulous life of an art restorer, former Israeli intelligence operative Gabriel Allon keeps his past well behind him. But now he is being called back into the game—and teamed with an agent who hides behind her own mask…as a beautiful fashion model. Their target: a cunning terrorist on one last killing spree, a Palestinian zealot who played a dark part in Gabriel’s past. And what begins as a manhunt turns into a globe-spanning duel fueled by both political intrigue and deep personal passions... From the Paperback edition.
Gabriel Allon's nightmares come back to haunt him in this tense thriller from #1 New York Times bestselling author Daniel Silva. Art restorer and sometime spy Gabriel Allon is sent to Vienna to discover the truth behind a bombing that killed an old friend, but while there he encounters something that turns his world upside down. It is a face—a face that feels hauntingly familiar, a face that chills him to the bone. While desperately searching for answers, Allon will uncover a portrait of evil stretching across sixty years and thousands of lives—and into his own personal nightmares... From the Paperback edition.
A New York Times Bestseller A writer in Munich, an art restorer and part-time Mossad agent in Venice, and, in Vatican City, Paul VII -- known as "Pope Accidental." In the weeks to come, the journeys of all these men will come together, following a trail of long-buried secrets and unthinkable deeds, leaving each one forever changed. Intrigue will dominate their lives and death stalk their paths, all in the shadow of the Confessor. Amazon.com Review Product Description In Munich, a Jewish scholar is assassinated. In Venice, Mossad agent and art restorer Gabriel Allon receives the news, puts down his brushes, and leaves immediately. And at the Vatican, the new pope vows to uncover the truth about the church's response to the Holocaust-while a powerful cardinal plots his next move. Now, as Allon follows a trail of secrets and unthinkable deeds, the lives of millions are changed forever-and the life of one man becomes expendable... Amazon Exclusive Essay: Daniel Silva on Gabriel Allon and the "Accidental Series" Writers tend to be solitary creatures. We toil alone for months on end, then, once a year, we emerge from our dens to publish a book. It can be a daunting experience, especially for someone like me, who is not gregarious and outgoing by nature. But there is one aspect of promotion I truly love: meeting my readers and answering their questions. During each stop on my book tour, I reserve the bulk of my time for a lively conversation with the audience. I learn much from these encounters-indeed, some of the comments are so insightful they take my breath away. There is one question I am asked each night without fail, and it remains my favorite: "How in the world did you ever think of Gabriel Allon?" The answer is complicated. In one sense, he was the result of a long, character-construction process. In another, he was a bolt from the blue. I'll try to explain. In 1999, after publishing The Marching Season, the second book in the Michael Osbourne series, I decided it was time for a change. We were nearing the end of the Clinton administration, and the president was about to embark on a last-ditch effort to bring peace to the Middle East. I had the broad outlines of a story in mind: a retired Israeli assassin is summoned from retirement to track down a Palestinian terrorist bent on destroying the Oslo peace process. I thought long and hard before giving the Israeli a name. I wanted it to be biblical, like my own, and to be heavy with symbolism. I finally decided to name him after the archangel Gabriel. As for his family name, I chose something short and simple: Allon, which means "oak tree" in Hebrew. I liked the image it conveyed. Gabriel Allon: God's angel of vengeance, solid as an oak. Gabriel's professional résumé-the operations he had carried out-came quickly. But what about his other side? What did he like to do in his spare time? What was his cover? I knew I wanted something distinct. Something memorable. Something that would, in many respects, be the dominant attribute of his character. I spent many frustrating days mulling over and rejecting possibilities. Then, while walking along one of Georgetown's famous redbrick sidewalks, my wife, Jamie, reminded me that we had a dinner date that evening at the home of David Bull, a man regarded as one of the finest art restorers in the world. I stopped dead in my tracks and raised my hands toward the heavens. Gabriel Allon was complete. He was going to be an art restorer, and a very good one at that. Over my objections, the book was entitled The Kill Artist and it would go on to become a New York Times bestseller. It was not, however, supposed to be the first book in a long-running series. But once again, fate intervened. In 2000, after moving to G.P. Putnam & Sons, my new publishers asked me what I was working on. When I mumbled something about having whittled it down to two or three options, they offered their first piece of advice. They really didn't care what it was about, they just wanted one thing: Gabriel Allon. I then spent the next several minutes listing all the reasons why Gabriel, now regarded as one of the most compelling and successful continuing characters in the mystery-thriller genre, should never appear in a second book. I had conceived him as a "one off" character, meaning he would be featured in one story and then ride into the sunset. I also thought he was too melancholy and withdrawn to build a series around, and, at nearly fifty years of age, perhaps a bit too old as well. My biggest concern, however, had to do with his nationality and religion. I thought there was far too much opposition to Israel in the world-and far too much raw anti-Semitism-for an Israeli continuing character ever to be successful in the long term. My new publishers thought otherwise, and told me so. Because Gabriel lived in Europe and could pass as German or Italian, they believed he came across as more "international" than Israeli. But what they really liked was Gabriel's other job: art restoration. They found the two opposing sides of his character-destroyer and healer-fascinating. What's more, they believed he would stand alone on the literary landscape. There were lots of CIA officers running around saving the world, they argued, but no former Israeli assassins who spent their spare time restoring Bellini altarpieces. The more they talked, the more I could see their point. I told them I had an idea for a story involving Nazi art looting during the Second World War and the scandalous activities of Swiss banks. "Write it with Gabriel Allon," they said, "and we promise it will be your biggest-selling book yet." Eventually, the book would be called The English Assassin, and, just as Putnam predicted, it sold twice as many copies as its predecessor. Oddly enough, when it came time to write the next book, I still wasn't convinced it should be another Gabriel novel. Though it seems difficult to imagine now, I actually conceived the plot of The Confessor without him in mind. Fortunately, my editor, Neil Nyren, saved me from myself. The book landed at #5 on the New York Times bestseller list and received some of the warmest reviews of my career. After that, a series was truly born. I am often asked whether it is necessary to read the novels in sequence. The answer is no, but it probably doesn't hurt, either. For the record, the order of publication is The Kill Artist, The English Assassin, The Confessor, A Death in Vienna, * Prince of Fire, * The Messenger, The Secret Servant, and Moscow Rules, my first #1 New York Times bestseller. The Defector pits Gabriel in a final, dramatic confrontation with the Russian oligarch and arms dealer Ivan Kharkov, and I have been told it far surpasses anything that has come before it in the series. And to think that, if I'd had my way, only one Gabriel Allon book would have been written. I remain convinced, however, that had I set out in the beginning to create him as a continuing character, I would surely have failed. I have always believed in the power of serendipity. Art, like life, rarely goes according to plan. Gabriel Allon is proof of that. From Publishers Weekly "If you think Italians have a long memory, you should spend some time in the Middle East. We're the ones who invented the vendetta, not the Sicilians." So maintains Gabriel Allon, art restorer and Mossad hit man, star of Silva's second thriller series (The Mark of the Assassin, etc.). Gabriel is once again reluctantly dragged from his day job (he's working on a Bellini in Venice) by Israeli spymaster Ari Shamron, who heads a team of sleeper Mossad agents scattered all over the world. This time, it's a revenge mission: one of Shamron's agents (an academic working on an expos‚ about the Vatican's collaboration with the Nazis) has been assassinated. The gunman was working for a secret Vatican society known as Crux Vera. Composed of Roman Curia members and shady rich thugs, this shadow group intends to kill the latest pope to keep him from exposing the Vatican's secret archives. In order to find the gunman (known as "the Leopard," a reclusive European of independent means who hires out his deadly skills to the highest bidder), Gabriel must take up his slain colleague's research, something the Italian and German governments assuredly do not want him to do. Gabriel is hounded all across Europe as he tries to find out the truth about the Nazi collaborators, save the pope and get the Leopard. Silva draws on bizarre WWII secrets uncovered by historians like Susan Zuccotti (whom Silva credits) for his premise. Though the plot sticks close to Silva's well-honed formula, the provocative historical revelations will keep readers enthralled. Copyright 2003 Reed Business Information, Inc.
#1 New York Times bestselling author Daniel Silva presents "a first-rate thriller" (Rocky Mountain News) featuring art restorer—and reluctant spy—Gabriel Allon. After an explosion in Rome destroys the Israeli embassy, Gabriel Allon makes a disturbing discovery—the existence of a dossier in terrorist hands that strips away his secrets, and lays bare his history. Drawn into the heart of a service he’d once forsaken, Allon finds himself stalking a master terrorist across a bloody landscape generations in the making. But soon, Allon will wonder who is stalking whom. When the final showdown comes, it won’t be Allon alone who is threatened with destruction. For it is not his history alone that has been exposed... From the Paperback edition.
On the trail of a deadly al-Qaeda operative, Gabriel Allon returns in a spellbinding story of deception, power, and revenge by the #1 New York Times bestselling "world-class practitioner of spy fiction" (Washington Post). Gabriel Allon—art restorer and spy—is about to face the greatest challenge of his life. An al-Qaeda suspect is killed in London, and photographs are found on his computer—photographs that lead Israeli intelligence to suspect that al-Qaeda is planning one of its most audacious attacks ever, aimed straight at the heart of the Vatican. Allon and his colleagues soon find themselves in a deadly duel of wits against one of the most dangerous men in the world—a hunt that will take them across Europe to the Caribbean and back. But for them, there may not be enough of anything: enough time, enough facts, enough luck. All Allon can do is set his trap—and hope that he is not the one caught in it. From the Paperback edition.
Spy turned art restorer Gabriel Allon finds himself accused of murder in this New York Times bestseller from Daniel Silva. An Israeli spy by trade and art restorer by preference, Gabriel Allon arrives in Zurich to restore the work of an Old Master for a millionaire banker—and finds himself standing in blood and framed for the man’s murder. While trying to clear his name, Allon is swept into a spiraling chain of events involving Nazi art theft, a decades-old suicide, and a dark and bloody trail of killings—some of them his own. The spy world Allon thought he had left behind has come back to haunt him. And he will have to fight for his life—against an assassin he himself helped train. From the Paperback edition.

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