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New York Times bestselling author Anne Frasier takes listeners back to her dark, enchanting Savannah—a place as terrifying as it is mesmerizing. Homicide detective Elise Sandburg is traumatized after her run-in with a madman the press has dubbed “The Organ Thief.” As Elise takes refuge in her deceased aunt Anastasia's abandoned plantation to investigate and recover from her ordeal, she begins to question everything—from her dangerous line of work to her complex relationship with her handsome, tortured partner, David Gould. But with a madman on the loose, and her mother's claims to still hear from Aunt Anastasia, she may have more immediate problems on her hands. In Elise's world, where cold hard crime mixes with the local Gullah culture, nothing is ever what it seems, and no one is above suspicion—not even the dead.
A serial killer stalks the streets of Savannah.... Homicide detective Elise Sandburg and her partner, profiler David Gould, are all too familiar with the terrible costs of chasing evil. Despite their wounded psyches, the detectives delve into the deranged killer's twisted mind, determined to unravel the clues in the taunts he leaves behind. A city gripped by fear.... When his daughter becomes the killer's next victim, a grief-stricken mayor comes down hard on the police, demanding that they catch the psychopath--now. Feeling the pressure, department officials enlist the aid of both Elise's estranged father and an FBI profiler who has unresolved business with David. A cunning and elusive madman.... In a heart-pounding race to stop the next homicide, the detectives uncover their own role in the madman's deadly game. Will they outsmart the killer before another horrific murder takes place in their beautiful city? Or have Elise and David finally met their match?
For three years, Detective Jude Fontaine was kept from the outside world. Held in an underground cell, her only contact was with her sadistic captor, and reading his face was her entire existence. Learning his every line, every movement, and every flicker of thought is what kept her alive. After her experience with isolation and torture, she is left with a fierce desire for justice--and a heightened ability to interpret the body language of both the living and the dead. Despite colleagues' doubts about her mental state, she resumes her role at Homicide. Her new partner, Detective Uriah Ashby, doesn't trust her sanity, and he has a story of his own he'd rather keep hidden. But a killer is on the loose, murdering young women, so the detectives have no choice: they must work together to catch the madman before he strikes again. And no one knows madmen like Jude Fontaine.
Rachel Burton, expectant mother and the town medical examiner, finds her plans of leaving Tuonela, Wisconsin, thwarted by a killer who, skinning his victims, is rumored to be linked to the Pale Immortal, a legendary vampire, while the father of her child succumbs to madness. Original.
Describes how a Bangladeshi immigrant, shot in the Dallas mini mart where he worked in the days after September 11 in a revenge crime, forgives his assailant and petitions the State of Texas to spare his attacker the death penalty. 20,000 first printing.
MEMOIR RAISED BY WOLVES When his wife shows up on his doorstep, two young children in tow, Warren cannot believe his bad luck. Only a few months more and he might have forgotten his family completely; only a few months more and he would have had the cool, privileged life he deserved. In THE MAN WHO LEFT, a young woman struggles to make sense of her fractured family's endless new beginnings and bad endings, her incisive intelligence and sensitivity often insufficient against the absurd, sometimes carelessly cruel circumstances of her life. Even after growing up and moving on, the legacy of her family's wreckage endures. When the now adult woman's biological father, the man who left, is diagnosed with Alzheimer's, his daughter must decide what, if anything, she owes him. THE MAN WHO LEFT is somewhat of a companion to the stunning memoir THE ORCHARD. But where THE ORCHARD is a dark fairy tale, THE MAN WHO LEFT is pure Middle American gothic, told in Theresa Weir's unadorned yet richly powerful and emotionally resonant style. A story about the burdens of remembering and the costs of forgetting, THE MAN WHO LEFT poignantly chronicles the emotional consequences of betrayal and abandonment by those who are supposed to love us the most. PRAISE FOR THE ORCHARD OPRAH MAGAZINE FALL PICK MACLEAN'S TOP BOOKS OF 2011 ON POINT (NPR) BEST BOOKS OF 2011 ABRAMS BEST OF 2011 PUBLISHERS WEEKLY BEST NONFICTION BOOKS OF 2011

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