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Reprint. Originally published in New York by New American Library in 2004.
New York Times bestselling author Anne Frasier takes listeners back to her dark, enchanting Savannah—a place as terrifying as it is mesmerizing. Homicide detective Elise Sandburg is traumatized after her run-in with a madman the press has dubbed “The Organ Thief.” As Elise takes refuge in her deceased aunt Anastasia's abandoned plantation to investigate and recover from her ordeal, she begins to question everything—from her dangerous line of work to her complex relationship with her handsome, tortured partner, David Gould. But with a madman on the loose, and her mother's claims to still hear from Aunt Anastasia, she may have more immediate problems on her hands. In Elise's world, where cold hard crime mixes with the local Gullah culture, nothing is ever what it seems, and no one is above suspicion—not even the dead.
A serial killer stalks the streets of Savannah.... Homicide detective Elise Sandburg and her partner, profiler David Gould, are all too familiar with the terrible costs of chasing evil. Despite their wounded psyches, the detectives delve into the deranged killer's twisted mind, determined to unravel the clues in the taunts he leaves behind. A city gripped by fear.... When his daughter becomes the killer's next victim, a grief-stricken mayor comes down hard on the police, demanding that they catch the psychopath--now. Feeling the pressure, department officials enlist the aid of both Elise's estranged father and an FBI profiler who has unresolved business with David. A cunning and elusive madman.... In a heart-pounding race to stop the next homicide, the detectives uncover their own role in the madman's deadly game. Will they outsmart the killer before another horrific murder takes place in their beautiful city? Or have Elise and David finally met their match?
For three years, Detective Jude Fontaine was kept from the outside world. Held in an underground cell, her only contact was with her sadistic captor, and reading his face was her entire existence. Learning his every line, every movement, and every flicker of thought is what kept her alive. After her experience with isolation and torture, she is left with a fierce desire for justice--and a heightened ability to interpret the body language of both the living and the dead. Despite colleagues' doubts about her mental state, she resumes her role at Homicide. Her new partner, Detective Uriah Ashby, doesn't trust her sanity, and he has a story of his own he'd rather keep hidden. But a killer is on the loose, murdering young women, so the detectives have no choice: they must work together to catch the madman before he strikes again. And no one knows madmen like Jude Fontaine.
Sheryl Sandberg’s Lean In is a massive cultural phenomenon and its title has become an instant catchphrase for empowering women. The book soared to the top of bestseller lists internationally, igniting global conversations about women and ambition. Sandberg packed theatres, dominated opinion pages, appeared on every major television show and on the cover of Time magazine, and sparked ferocious debate about women and leadership. Ask most women whether they have the right to equality at work and the answer will be a resounding yes, but ask the same women whether they'd feel confident asking for a raise, a promotion, or equal pay, and some reticence creeps in. The statistics, although an improvement on previous decades, are certainly not in women's favour – of 197 heads of state, only twenty-two are women. Women hold just 20 percent of seats in parliaments globally, and in the world of big business, a meagre eighteen of the Fortune 500 CEOs are women. In Lean In, Sheryl Sandberg – Facebook COO and one of Fortune magazine's Most Powerful Women in Business – draws on her own experience of working in some of the world's most successful businesses and looks at what women can do to help themselves, and make the small changes in their life that can effect change on a more universal scale.
MEMOIR RAISED BY WOLVES When his wife shows up on his doorstep, two young children in tow, Warren cannot believe his bad luck. Only a few months more and he might have forgotten his family completely; only a few months more and he would have had the cool, privileged life he deserved. In THE MAN WHO LEFT, a young woman struggles to make sense of her fractured family's endless new beginnings and bad endings, her incisive intelligence and sensitivity often insufficient against the absurd, sometimes carelessly cruel circumstances of her life. Even after growing up and moving on, the legacy of her family's wreckage endures. When the now adult woman's biological father, the man who left, is diagnosed with Alzheimer's, his daughter must decide what, if anything, she owes him. THE MAN WHO LEFT is somewhat of a companion to the stunning memoir THE ORCHARD. But where THE ORCHARD is a dark fairy tale, THE MAN WHO LEFT is pure Middle American gothic, told in Theresa Weir's unadorned yet richly powerful and emotionally resonant style. A story about the burdens of remembering and the costs of forgetting, THE MAN WHO LEFT poignantly chronicles the emotional consequences of betrayal and abandonment by those who are supposed to love us the most. PRAISE FOR THE ORCHARD OPRAH MAGAZINE FALL PICK MACLEAN'S TOP BOOKS OF 2011 ON POINT (NPR) BEST BOOKS OF 2011 ABRAMS BEST OF 2011 PUBLISHERS WEEKLY BEST NONFICTION BOOKS OF 2011
Offers brief biographies, critical interpretations, and selected poems by forty-seven American and English poets from 1809 to 1963, along with recordings of each of the authors reading the works aloud.