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Start from the beginning when Peter Parker was just an average teenager and learn how a bite from a radioactive spider changed his fate and turned him into the famous, web-slinging hero known as the Amazing Spider-Man! These twenty tales include Spider-Man's epic battles against his greatest foes, including Doctor Octopus, Green Goblin, and the Lizard, as well as action-packed adventures that retells Peter's rise from High School student to the spectacular Spider-Man.
“One of the best literary works of this year” (Miami Herald-Tribune): The true story of a theatrical dream—or nightmare—come true…the making of the Spider-Man musical. As you might imagine, writing a Broadway musical has its challenges. But it turns out there are challenges one can’t begin to imagine when collaborating with two rock legends and a superstar director to stage the biggest, most expensive production in theater history. Renowned director Julie Taymor picked playwright Glen Berger to cowrite the book for a $25 million Spider-Man musical. Together—along with U2’s Bono and Edge—they would shape a work that was technically daring and emotionally profound, with a story fueled by the hero’s quest for love…and the villains’ quest for revenge. Or at least, that’s what they’d hoped for. But when charismatic producer Tony Adams died suddenly, the show began to lose its footing. Soon the budget was ballooning, financing was evaporating, and producers were jumping ship or getting demoted. And then came the injuries. And then came word-of-mouth about the show itself. What followed was a pageant of foul-ups, falling-outs, ever-more harrowing mishaps, and a whole lot of malfunctioning spider legs. This “circus-rock-and-roll-drama,” with its $65 million price tag, had become more of a spectacle than its creators ever wished for. During the show’s unprecedented seven months of previews, the company’s struggles to reach opening night inspired breathless tabloid coverage and garnered international notoriety. Through it all, Berger observed the chaos with his signature mix of big ambition and self-deprecating humor.
Marks the debut of an exciting new literary talent: a collection of connected stories whose young narrators yearn for truth and beauty amidst the lonely, breathtaking landscape of the Yukon. The girls in these stories are looking to make a break from their circumstances, but the North is in their bones: so are their connections to family and friends, and to unarticulated desire between women. Startling in their intimacy, these stories form a moving picture of what it's like to be a young queer woman in the North.
In a Manhattan warehouse, an innocent man has been murdered during a mysterious crime. Evidence points to the involvement of Venom - the alien symbiote who is obsessed with Spider-Man's destruction. Yet Venom has always safeguarded innocent lives. Has Venom gone completely around the bend, or is there another suspect? Spider-Man thinks there is more to the crime than meets the eye. The spectre of the Hobgoblin, one of Spider-Man's nastiest villains, falls on a series of thefts, and leads the web-slinger to a deadly secret that may cause New York's destruction. Spider-Man must outsmart two of his deadliest enemies to save the city - but even more danger awaits him! Diane Duane, the New York Times best-selling author, launches an epic trio of Spider-Man novels with The Venom Factor; featuring all-new illustrations by popular comics artist Ron Lim.
Twelve short stories by different authors continue the adventures of the Amazing Spider-Man, the crime fighting comic book hero.
Collects Amazing Spider-Man #584-588. Spidey's new world is rocked to its core! Who's been terrorizing people as Menace? Who's behind the Spider-Tracer Killings? Plus: Spidey teams up with the 44th president of the United States!
Peter Parker is trying to get to his friend M. J.'s play. He's riding his motorbike as fast as he can, but then his spider sense kicks in. A speeding car is about to crash into a pretzel cart, and a boy is in the way! Can Spider-Man save the day and get to M. J.'s performance on time?

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