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This ultimate insider's guide reveals the secrets that none dare admit, told by a show biz veteran who's proven that you can sell your script if you can save the cat!
This ultimate insider's guide reveals the secrets that none dare admit, told by a show biz veteran who's proven that you can sell your script if you can save the cat!
This ultimate insider's guide reveals the secrets that none dare admit, told by a show biz veteran who's proven that you can sell your script if you can save the cat!
In the long-awaited sequel to his surprise bestseller, "Save the Cat!," author and screenwriter Snyder returns to form in a fast-paced follow-up that proves why his is the most talked-about approach to screenwriting in years.
Inspired by questions from workshops, lectures, and emails, Blake Snyder provides new tips and techniques to help screenwriters create stories that resonate.
In his best-selling book, Save the Cat!(r) Goes to the Movies, Blake Snyder provided 50 beat sheets to 50 films, mostly studio-made. Now his student, Salva Rubio, applies Blake s principles to 50 celebrated non-studio films (again with 5 beat sheets for each of Blake s 10 genres). From international sensations like The Blair Witch Project topromising debuts like Pi, from small films that acquired cult status like Texas Chain Saw Massacre to Euro-blockbusters like The Full Monty, from unexpected gems like Before Sunrise to textbook classics such as The 400 Blows, from Dogville to Drive and Boogie Nights to Cinema Paradiso, here are 50 movies that fit both the independent label and Blake Snyder s 15 beats. You ll find beat sheets for works from Quentin Tarantino, Steven Soderbergh, David Lynch, Roman Polanski, Danny Boyle, David Mamet, Spike Jonze, Charlie Kaufman, Sofia Coppola, Stephen Frears, David Hare, Stanley Kubrick, Woody Allen, Wes Anderson, and the Coen Brothers, among other renowned writers and directors. You ll see how hitting the beats creates a story that resonates for audiences the world over. Why is this important? Because it gives both writers and moviegoers a language to analyze film and understand how filmmakers can effectively reach audiences. And especially if you are a writer, this book reveals how screenwriters who came before you tackled the same challenges you are facing with the film you want to write or the one you are currently working on."
It’s Christmas, and Santa isn’t feeling well! Who can save not just the day, but Christmas? It’s all good... Pete the Cat is here!

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