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This is the eBook of the printed book and may not include any media, website access codes, or print supplements that may come packaged with the bound book. Examine the social and business sides of rock history REVEL™ for Rockin' Out: Popular Music In the U.S.A. analyzes the music and business of rock ‘n’ roll. Covering topics such as the rise of television idols, the proliferation of alternative sounds, and the influence of digital production techniques, this comprehensive, introductory text takes readers from the invention of the phonograph to the promise of the Internet. Joining longtime author Reebee Garafalo for the Sixth Edition, co-author Steve Waksman — professor at Smith College and heavily published rock scholar — has thoroughly revised each chapter to include new research and more current literature. REVEL is Pearson’s newest way of delivering our respected content. Fully digital and highly engaging, REVEL replaces the textbook and gives students everything they need for the course. Informed by extensive research on how people read, think, and learn, REVEL is an interactive learning environment that enables students to read, practice, and study in one continuous experience — for less than the cost of a traditional textbook. NOTE: REVEL is a fully digital delivery of Pearson content. This ISBN is for the standalone REVEL access card. In addition to this access card, you will need a course invite link, provided by your instructor, to register for and use REVEL.
Given the long history of feminism and its contested place in popular culture, important, practical questions arise: What effect, if any, have feminist ideas and practices had on the lives of young men and women who grew up with them? How do these individuals negotiate the realities of gender in their daily lives? In Rockin' Out of the Box, Mimi Schippers, employing the crucial feminist insight that gender is a constantly shifting performance and not an essential quality related to sex, explores the gender roles, assumptions, and transgressions of the men and women involved in the alternative hard rock scene. The author focuses on this sizable section of rock music both because it is widely inclusive of men and women and because it explicitly adopted feminism as its point of departure from mainstream music. Schippers uses the innovative term gender maneuvering to explain her observations that gender and sexuality are negotiated and always changing features of social relations. This process, she demonstrates, operates as a cultural practice and as an individual strategy of resistance to socially prescribed gender roles. Schippers, who spent more than two years frequenting alternative hard rock clubs and concerts in Chicago, conducted extensive interviews with fans as well as musicians, including Ian MacKaye of Fugazi, Eddie Vedder of Pearl Jam, Kim Thayil of Soundgarden, Donita Sparks and Jennifer Finch of L7, Kat Bjelland and Lori Barbero of Babes in Toyland, Rose of Poster Children, Louise Post and Nina Gordon of Veruca Salt, and Liz Davis and Valerie Agnew of 7 Year Bitch. As it documents the development of a rock music genre that has so far received little academic attention, this book also demonstrates how this musical culture contributes to our understanding of the daily practices of gender relations among young people.
The 17 tunes presented in this book teach aspiring musicians how to play fiddle in the style of masters such as Papa John Creach, Sugarcane Harris, Howard Armstrong, Remo Biondi, Clarence Gatemouth Brown, and Lonnie Johnson. Covering the history of the blues fiddle, this book also presents correct ways to introduce and end tunes, right- and left-hand styles, and backup techniques. The accompanying practice CD encourages musicians to play along and learn to achieve an authentic sound.
Rock ’n’ roll was born in Memphis in the tiny storefront recording studio of Sun Records. This is the definitive account of how it happened! Sam Phillips’s credo was: “If you’re not doing something different, you’re not doing anything.” If he had done no more than discover Elvis Presley and produce his first five singles he would still be the godfather of rock ’n’ roll. But he did more. Much more. While Elvis was still sitting on the edge of his bed listening to the radio and figuring out guitar chords, Phillips was discovering and recording blues giants like B.B. King, Howling Wolf, and Ike Turner. During the few months that Elvis was with Sun Records, Phillips found Johnny Cash and Carl Perkins. Soon after, he found Jerry Lee Lewis, Roy Orbison, and Charlie Rich. And he did it almost singlehandedly—from his two-room studio in Memphis, Tennessee. Phillips’s story, which Colin Escott tells in beautiful detail, is more than a catalog of hits. Without Sun’s philosophy of experimentation, innovation, and genre transcendence, the musical revolution could have never begun.
A man and woman are in an open relationship. They have agreed that having sexual partners outside of their relationship is permissible. One night, when her partner is in another city, the woman has sex with the man’s best friend. What does this mean for their relationship? More importantly, why is there such a strong cultural taboo against this kind of triangulation and what does it reveal about the social organization of gender and sexuality? In Beyond Monogamy, Mimi Schippers asks these and other questions to explore compulsory monogamy as a central feature of sexual normalcy. Schippers argues that compulsory monogamy promotes the monogamous couple as the only legitimate, natural, or desirable relationship form in ways that support and legitimize gender, race, and sexual inequalities. Through an investigation of sexual interactions and relationship forms that include more than two people, from polyamory, to threesomes, to the complexity of the ‘down-low,’ Schippers explores the queer, feminist, and anti-racist potential of non-dyadic sex and relationships. A serious look at the intersections of society and sexuality, Beyond Monogamy takes the reader on a compelling and accessible journey through compulsory monogamy, polyamory, and polyqueer sex and relationships.
A thorough method of instruction for bass guitar, you will get a thorough introduction to note reading and scales. Includes optional duets, favorite classical and folk melodies from around the world arranged for bass. Designed to be used simultaneously with "Guitar Today." Clear diagrams and photos included.
Massive music festivals--Monterey, Woodstock, Altamont--ushered rock 'n' roll into the 1970s, the decade that would feature some of the greatest musical performances of all time. Rock bands were writing increasingly expansive concept albums with sweeping themes, and as venues expanded in tandem with their creative ambitions, they were inspired to create elaborate stage shows as vehicles for their music. Their records promised "theater of the mind," and concerts brought these dreams to life.Rock concerts became mega-entertainment experiences, with artists using every available piece of stagecraft -- lights, projections, backdrops, props, and costumes. Musicians created flamboyant personas, delivering high-octane performances characterized by musical virtuosity in over-the-top theatrical spectacles, or just plain rebellious grit. I bore witness to these fantastic concerts in and around Los Angeles, California... the "city of angels." This book celebrates more than three-dozen of these incredible tours including key performances by bands such as Led Zeppelin, Queen, David Bowie, Fleetwood Mac, Genesis, Heart, Jethro Tull, Pink Floyd, The Who and Yes. We'll share memories of those legendary concerts and reviews of the best video documents of the era, each band illuminated by a hand-picked collection of brilliant images by the best photojournalists of that time including Richard E. Aaron, Jorgen Angel, Fin Costello, Armando Gallo, Neal Preston, Jim Summaria, Lisa Tanner and Neil Zlowzower along with many others. This is their story, and ours....

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