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On thinking the matter through, it doesn't seem exaggerated to assert that my coming out of the sexual closet, my desire to assume and assert my homosexuality, coincided within my personal trajectory with my shutting myself up inside what I might call a class closet. -- from Returning to Reims After his father dies, Didier Eribon returns to his hometown of Reims and rediscovers the working-class world he had left behind thirty years earlier. For years, Eribon had thought of his father largely in terms of the latter's intolerable homophobia. Yet his father's death provokes new reflection on Eribon's part about how multiple processes of domination intersect in a given life and in a given culture. Eribon sets out to investigate his past, the history of his family, and the trajectory of his own life. His story weaves together a set of remarkable reflections on the class system in France, on the role of the educational system in class identity, on the way both class and sexual identities are formed, and on the recent history of French politics, including the shifting voting patterns of the working classes -- reflected by Eribon's own family, which changed its allegiance from the Communist Party to the National Front. Returning to Reims is a remarkable book of sociological inquiry and critical theory, of interest to anyone concerned with the direction of leftist politics in the contemporary world, and to anyone who has ever experienced how sexual identity can clash with other parts of one's identity. A huge success in France since its initial publication in 2009, Returning to Reims received enthusiastic reviews in Le Monde, Libération, L'Express, Les Inrockuptibles, and elsewhere.
‘Before I had a chance to rebel against the world of my childhood, that world rebelled against me. In truth, confronting my parents, my social class, its poverty, racism and brutality came second. From early on I provoked shame and even disgust from my family and others around me. The only option I had was to get away somehow. This book is an effort to understand all that.’ Édouard Louis grew up in Hallencourt, a village in northern France where many live below the poverty line. His bestselling debut novel about life there, The End of Eddy, has sparked debate on social inequality, sexuality and violence. It is an extraordinary portrait of escaping from an unbearable childhood, inspired by the author’s own. Written with an openness and compassionate intelligence, ultimately, it asks, how can we create our own freedom?
In this funny, moving account of his outrageous youth, Quentin Crisp describes his unhappy childhood and the stresses of adolescence which led him to London.
‘My first week I learned that people refer to ILLC as “illsee”. Emphasis on ‘ill’. The Illinois Learning and Life Skills Center may not sound like the name of a nursing home, but that’s how they work it. Naming these places is all about misdirection. Inside, it smells, sounds, and looks like your standard-issue nursing home. Same old wolf but in a lamb outfit.’ Told in alternating perspectives by a varied cast of characters, Good Kings, Bad Kings is a powerful and inspiring debut that invites us into the lives of a group of teenagers and staff who live at the ILLC. From Yessenia, who dreams of her next boyfriend, to Teddy, a resident who dresses up daily in a full suit and tie, and Mia, who guards a terrifying secret, Nussbaum has crafted a multifaceted portrait of a way of life that challenges our definitions of what it means to be disabled. In a story told with remarkable authenticity, their voices resound with resilience, courage and humour.
Jean Baudrillard arouses strong opinions. In this collection of his most important interviews the reader gains a unique and accessible overview of Baudrillard's key ideas. The collection includes many interviews that appear in English for the first time as well as a fascinating interview and encounter between the editor and Baudrillard in Paris.
First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
"Thinking Contemporary Curating is the first book to offer an in-depth analysis of the volatile territory of international curatorial practice and the thinking--or insight--that underpins it. In five essays, renowned art historian and critic Terry Smith describes how today curators take on roles far beyond exhibition making, to include reimagining museums; writing the history of curating; creating discursive platforms and undertaking social or political activism, as well as rethinking spectatorship. The catalyst for the publication was 'The Now Museum' conference that ICI produced in collaboration with the CUNY Graduate Center and the New Museum in New York in 2011. In panel discussions and lectures over 30 leading artists, art historians, curators, and museum directors, such as art historian Claire Bishop, Okwui Enwezor (Director, Haus der Kunst), Massimiliano Gioni (Associate Director and Director of Exhibitions, New Museum), Lu Jie (Director, Long March), Maria Lind (Director, Tensta Konsthall) and Terry Smith discussed the diversification of the notion of the 'museum of contemporary art, ' providing intergenerational perspectives on recent developments across Africa, the Americas, Asia, Europe, and the Middle East. This spurred a year-long journey for Smith, responding to ideas, events, and encounters in the artworld in the process of questioning what 'curating' is today, which forms the heart of this publication."--Publisher's description.

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