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With its keen observations, diligent research, and insider revelations, Alan Schroeder’s popular, big-picture history explores the phenomenon of American presidential debates like no other volume. From pundits to political operatives, debate moderators to the viewing public, Schroeder examines how the various stakeholders make and experience this powerful event. For this third edition, Schroeder analyzes the 2008 and 2012 presidential debates and the role of social media and contemporary news outlets in shaping their design and reception. He also expands his coverage of previous campaigns, including the landmark 1960 meeting between John F. Kennedy and Richard Nixon. Second only to the Super Bowl in viewers, presidential debates are must-see TV, yet their conception and execution largely remain a mystery to the public—even to journalists. Schroeder details the key phases of the debate: anticipation, in which campaigns negotiate rules, formulate strategy, prepare answers, and steer press coverage; execution, in which the candidates, moderators, panelists, and television professionals create and project the event; and reaction, in which commentators, spin doctors, and the public evaluate the performance and move storylines in new directions. New chapters focus on real-time debate responses and the extent to which post-debate news coverage influences voter decision making and candidate behavior.
Cheap booze. Flying fleshpots. Lack of sleep. Endless spin. Lying pols. Just a few of the snares lying in wait for the reporters who covered the 1972 presidential election. Traveling with the press pack from the June primaries to the big night in November, Rolling Stone reporter Timothy Crouse hopscotched the country with both the Nixon and McGovern campaigns and witnessed the birth of modern campaign journalism. The Boys on the Bus is the raucous story of how American news got to be what it is today. With its verve, wit, and psychological acumen, it is a classic of American reporting. NOTE: This edition does not include photographs.
Why has the U.S. never had a woman president? With Hillary Clinton engaged in a historic campaign that could see her becoming the first woman elected president of the United States, the national conversation about gender and the presidency is gaining critical momentum. Commentators have fixated on the special challenges women candidates for the presidency face: endless media scrutiny about what they look like, the clothes they wear, the deeply sexist attitudes and beliefs that keep people from believing a woman is capable of serving as Commander in Chief of the Armed Forces. But gender has always been a crucial factor in presidential politics, especially in recent decades, as the Civil Rights, womens and gay rights movements have transformed the social landscape and presented a major challenge to traditional white male power and privilege. In Man Enough?, Jackson Katz puts forth the original and highly provocative thesis that in this cultural context presidential campaigns have become the center stage of an ongoing national debate about manhood, a kind of quadrennial referendum on what type of manor one day, womanembodies not only our ideological beliefs, but our very identity as a nation. Written in an engaging style that will appeal to general readers, political experts, and activists alike, Katz explores some of the major political developments, news events and campaign strategies in key elections in recent history. Ranging from the election of the former Hollywood actor Ronald Reagan in 1980 through the re-election of Barack Obama, and extending his analysis into the 2016 election season, Katz zeroes in on how the very notion of what it means to be presidential is linked closely with evolving ideas about manhood. Whether he is exam
This election cycle was so absurd that celebrated political satirist, journalist, and die-hard Republican P. J. O’Rourke endorsed Democratic candidate Hillary Clinton. As P.J. put it, “America is experiencing the most severe outbreak of mass psychosis since the Salem witch trials of 1692. So why not put Hillary on the dunking stool?” In How the Hell Did This Happen?, P.J. brings his critical eye and inimitable voice to some seriously risky business. Starting in June 2015, he asks, “Who are these jacklegs, high-binders, wire-pullers, mountebanks, swellheads, buncombe spigots, four-flushers and animated spittoons offering themselves as worthy of America’s highest office?” and surveys the full cast of presidential candidates including everyone you’ve already forgotten and everyone you wish you could forget. P.J. offers a brief history of how our insane process for picking who will run for president evolved, from the very first nominating convention (thanks, Anti-Masonic Party) through the reforms of the Progressive era (because there’s nothing that can’t be worsened by reform) to the present. He takes us through the debates and key primaries and analyzes everything from the campaign platforms (or lack thereof) to presidential style (“Trump’s appearance—indeed, Trump’s existence—is a little guy’s idea of living large. A private plane! A swell joint in Florida! Gold-plated toilet handles!”). And he rises from the depths of despair to come up with a better way to choose a president. Following his come-to-Satan moment with Hillary and the Beginning of End Times in November, P.J. reckons with a new age: “America is experiencing a change in the nature of leadership. We’re getting rid of our leaders. And we’re starting at the top.”
Journalist and Salon writer Rebecca Traister investigates the 2008 presidential election and its impact on American politics, women and cultural feminism. Examining the role of women in the campaign, from Clinton and Palin to Tina Fey and young voters, Traister confronts the tough questions of what it means to be a woman in today’s America. The 2008 campaign for the presidency reopened some of the most fraught American conversations—about gender, race and generational difference, about sexism on the left and feminism on the right—difficult discussions that had been left unfinished but that are crucial to further perfecting our union. Though the election didn’t give us our first woman president or vice president, the exhilarating campaign was nonetheless transformative for American women and for the nation. In Big Girls Don’t Cry, her electrifying, incisive and highly entertaining first book, Traister tells a terrific story and makes sense of a moment in American history that changed the country’s narrative in ways that no one anticipated. Throughout the book, Traister weaves in her own experience as a thirtysomething feminist sorting through all the events and media coverage—vacillating between Hillary Clinton and Barack Obama and questioning her own view of feminism, the women’s movement, race and the different generational perspectives of women working toward political parity. Electrifying, incisive and highly entertaining, Big Girls Don’t Cry offers an enduring portrait of dramatic cultural and political shifts brought about by this most historic of American contests.
NEW YORK TIMES BESTSELLER From Face the Nation moderator and Slate columnist John Dickerson come the stories behind the stories of the most memorable moments in American presidential campaign history. The stakes are high. The characters full of striving and ego. Presidential campaigns are a contest for control of power in the most powerful country on earth. The battle of ideas has a clear end, with winners and losers, and along the way there are sharp turning points-primaries, debates, conventions, and scandals that squeeze candidates into emergency action, frantic grasping, and heroic gambles. As Mike Murphy the political strategist put it, "Campaigns are like war without bullets." WHISTLESTOP tells the human story of nervous gambits hatched in first-floor hotel rooms, failures of will before the microphone, and the cross-country crack-ups of long-planned stratagems. At the bar at the end of a campaign day, these are the stories reporters rehash for themselves and embellish for newcomers. In addition to the familiar tales, WHISTLESTOP also remembers the forgotten stories about the bruising and reckless campaigns of the nineteenth century when the combatants believed the consequences included the fate of the republic itself. Some of the most modern-feeling elements of the American presidential campaign were born before the roads were paved and electric lights lit the convention halls-or there were convention halls at all. WHISTLESTOP is a ride through the American campaign history with one of its most enthusiastic conductors guiding you through the landmarks along the way.
Offers a look at the causes and effects of poverty and inequality, as well as the possible solutions. This title features research, human stories, statistics, and compelling arguments. It discusses about the world we live in and how we can make it a better place.

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