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Falling for a bad-boy rock star is the last thing single mother Casey Anderson-Bovier should do. Embroiled in a custody battle with her ex, Casey is fighting to raise her boys in their quaint Colorado hometown--a secret haven for celebrities. But when it comes to her hotel's newest guest, Casey can't connect the dots. Is Zane Steele the out-of-control rocker plastered all over the media, or the captivating man with a killer smile who's charming her and her two boys? Zane has a good reason for letting the world believe the worst of him--and that's a secret he's sure he can never share...until he meets Casey. After years of having fans fall at his feet, he's found the one woman who brings him to his knees. Casey is beautiful and intriguing--and thoroughly justified in not trusting him one bit, especially with her family at stake. But the only way to be together is to convince her to take a chance on him, on fate, and on their crazy, unexpected love.
In The Broken, people shop at Walmart, and magic only lives in fairy tales; in The Weird, aristocrats still rule and the strength of your magic controls your fate; and The Edge is the borderland where anything can happen...Audrey Callahan has a unique talent: no door is closed to her; and – thanks to her Edge family, a motley crew of grifters and layabouts – she's a consummate conwoman. But she's severed all ties with her past, finally gotten a legitimate job in The Broken, and Audrey couldn’t be happier. But now her dad has swindled her into one last job...What do you get when you take the best thief, grifter and gambler make him into a secret agent? You get Kaldar Mar. Judge Dobe probably put it best, “I guess you’re familiar with the law. You hit it over the head, set its house on fire, and got its sister pregnant.” Deeply scarred by his aunt’s death, Kaldar has some scores to settle – and his new assignment might let him do just that. A priceless object has been stolen and Kaldar must retrieve it at any cost. Piece of cake...until Audrey shows up after the same item.So what happens when a former thief finds herself matching wits with a jack of all trades? One thing is certain: Neither one will ever be the same.
Ambil hati rakyatmu, atau relakan takhtamu. Seumur hidupnya, Kelsea hidup terasing di sebuah pondok di tengah hutan, dididik dengan keras oleh orang tua angkatnya. Sebagai putri mahkota, Kelsea sengaja diungsikan untuk menghindari ancaman Ratu Merah dari Kerajaan Mortmesne. Di usianya yang nyaris 17 tahun, Kelsea harus melaksanakan kewajibannya untuk mengambil alih takhta Kerajaan Tearling. Sebuah tugas yang tidak mudah, karena banyak pihak mengincar nyawanya. Perjalanan menuju ibukota saja sudah penuh marabahaya, Kelsea diserang, diculik, dan nyaris tewas. Dan ternyata menjadi Ratu tidak semudah teorinya, butuh lebih dari sekadar tekad dan nyali. Akan berhasilkah Kelsea membebaskan Tearling dari penjajahan Mortmesne? Berapa lama gadis muda ini sanggup mempertahankan nyawanya? The Queen of The Tearling adalah debut spektakuler dari Erika Johansen. Bahkan sebelum buku ini dirilis, Warner Bros telah membeli hak cipta filmnya. Emma Watson, aktris yang terkenal dengan perannya sebagai Hermione di film Harry Potter, telah setuju untuk memerankan Kelsea. Begitu terkesan Emma dengan The Queen of The Tearling, hingga dia tidak hanya menjadi pemeran utama, tapi juga produser eksekutifnya. [Mizan Publishing, Fantasi, Novel, Terjemahan, Indonesia]
The wait is finally over for the third and final installment in The Passage trilogy, called "a The Stand-meets-The Road journey" by Entertainment Weekly. In the wake of the battle against The Twelve, Amy and her friends have gone in different directions. Peter has joined the settlement at Kerrville, Texas, ascending in its ranks despite his ambivalence about its ideals. Alicia has ventured into enemy territory, half-mad and on the hunt for the viral called Zero, who speaks to her in dreams. Amy has vanished without a trace. With The Twelve destroyed, the citizens of Kerrville are moving on with life, settling outside the city limits, certain that at last the world is safe enough. But the gates of Kerrville will soon shudder with the greatest threat humanity has ever faced, and Amy--the Girl from Nowhere, the One Who Walked In, the First and Last and Only, who lived a thousand years--will once more join her friends to face down the demon who has torn their world apart . . . and to at last confront their destinies.
Written with burning intensity in the last years of Roberto Bolaño's life, 2666 has been greeted across the world as the great writer's masterpiece, surpassing everything in imagination, beauty and scope. It is a novel on an astonishing scale from a passionate visionary. 'The best book of 2008 ... A masterpiece, the electrifying literary event of the year' Time 'Readers who have snacked on Haruki Murakami will feast on Roberto Bolaño' Sunday Times 'Bolaño makes you feel changed for having read him; he adjusts your angle of view on the world' Guardian Santa Teresa, on the Mexico-US border: an urban sprawl that draws lost souls to it like a vortex. Convicts and academics find themselves here, as does an American sportswriter, a teenage student with her widowed father, and a reclusive, 'missing' author. But there is a darker side to the town. As in the real town of Juárez, on which Santa Teresa is based, girls and women are disappearing at an alarming rate . . . As 2666 progresses, as the sense of conspiracy grows, as the shadow of the apocalypse draws closer, Santa Teresa becomes an emblem of the corruption, violence and decadence of twentieth-century European history. 2666 has been greeted across Europe and Latin America as the writer's masterpiece, surpassing even his previous work in imagination, beauty, and scope. 'One of those strange, exquisite, and astonishing experiences that literature offers us only once in a very long time' El País 'Bolaño's masterwork. An often shockingly raunchy and violent tour de force (though the phrase seems hardly adequate to describe the novel's narrative velocity, polyphonic range, inventiveness, and bravery)' New York Review of Books 'Not just the great Spanish-language novel of this decade, but one of the cornerstones that define an entire literature. 2666 is a magisterial and inimitable' La Vanguardia 'Endlessly in love with people and books, Bolaño's last novel ranges over the world and history' Le Monde des Livres 'A work of genius: the work of a master whose voice has all the authority and seeming effortlessness that we associate with the great classics of the ages' Blanco y Negro 'Bolaño makes you feel changed for having read him; he adjusts your angle of view on the world' Guardian
A book judged so dangerous in the Soviet Union that not only the manuscript but the ribbons on which it had been typed were confiscated by the state, Life and Fate is an epic tale of World War II and a profound reckoning with the dark forces that dominated the twentieth century. Interweaving a transfixing account of the battle of Stalingrad with the story of a single middle-class family, the Shaposhnikovs, scattered by fortune from Germany to Siberia, Vasily Grossman fashions an immense, intricately detailed tapestry depicting a time of almost unimaginable horror and even stranger hope.Life and Fate juxtaposes bedrooms and snipers’ nests, scientific laboratories and the Gulag, taking us deep into the hearts and minds of characters ranging from a boy on his way to the gas chambers to Hitler and Stalin themselves. This novel of unsparing realism and visionary moral intensity is one of the supreme achievements of modern Russian literature.
A New Translation From The French By Marion Wiesel Night is Elie Wiesel's masterpiece, a candid, horrific, and deeply poignant autobiographical account of his survival as a teenager in the Nazi death camps. This new translation by Marion Wiesel, Elie's wife and frequent translator, presents this seminal memoir in the language and spirit truest to the author's original intent. And in a substantive new preface, Elie reflects on the enduring importance of Night and his lifelong, passionate dedication to ensuring that the world never forgets man's capacity for inhumanity to man. Night offers much more than a litany of the daily terrors, everyday perversions, and rampant sadism at Auschwitz and Buchenwald; it also eloquently addresses many of the philosophical as well as personal questions implicit in any serious consideration of what the Holocaust was, what it meant, and what its legacy is and will be.

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