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Margaret Lynch-Brennan tells the real story of Irish domestic servants, often in their own words, providing a richly detailed portrait of their lives and experiences.
Margaret Lynch-Brennan tells the real story of Irish domestic servants, often in their own words, providing a richly detailed portrait of their lives and experiences.
David Stifter's Sengoidelc (SHAN-goy-thelg) provides a comprehensive introduction to Old Irish grammar and metrics. As an introductory text to the Irish language spoken around the eighteenth century C.E., this essential volume, covering all aspects of the grammar in a clear and intuitive format, is ideally suited for use as a course book or as a guide for the independent learner. This handbook also will be an essential reference work for students of Indo-European philology and historical linguistics. Stifter leads the novice through the idiosyncracies of the language, such as initial mutations and the double inflection of verbs. Filled with translation exercises based on selections from Old Irish texts, the book provides a practical introduction to the language and its rich history. Sengoidelc opens the door to the world of Old Irish literature, famous not only for the Tain Bo Cuailnge (The Cattle Raid of Cuailnge) and its lyrical nature poetry but also as a major source for the political and legal history of Ireland. Stifter's book is an ideal tool for both the self-taught individual and the classroom environment. It will be of interest to beginning students of Old and Middle Irish, to scholars of Irish history, Celtic culture, and comparative linguistics, and to readers of Irish literature.
Women, Press, and Politics explores the literary and historical significance of women writing for the most influential body of nationalist journalism during the Irish revival, the advanced nationalist press. This work studies women’s writings in the Irish national tradition, focusing in particular on leading feminine voices in the cultural and political movements that helped launch the Eater Rising of 1916: Augusta Gregory, Alice Milligan, Maud Gonne, Constance Markievicz, Delia Larkin, Hanna Sheehy Skeffington, and Louie Bennett. Karen Steele argues that by examining the innovative work of these writers from the perspective of women’s artistry and women’s political investments, we can best appreciate the expansive range of their cultural productions and the influence these had on other nationalists, who went on to shape Irish politics and culture in the decades to come.
The theme of this book is cultural encounter and exchange in Irish women's lives. Using three case studies: the Enlightenment, emigration and modernism, it analyses reading and popular and consumer culture as sites of negotiation of gender roles. It traces how the circulation of ideas, fantasies and aspirations which have shaped women's lives in actuality and in imagination and argues that there were many different ways of being a woman. Attention to women's cultural consumption and production shows that one individual may in one day identify with representations of heroines of romantic fiction, patriots, philanthropists, literary ladies, film stars, career women, popular singers, advertising models and foreign missionaries. The processes of cultural consumption, production and exchange provide evidence of women's agency, aspirations and activities within and far beyond the domestic sphere.
FORGETTING IRELAND is both a history and mystery, a story of western Ireland's Connemara coast and of Graceville, a small town in western Minnesota. In 1880, at the height of Ireland's second famine, a ship of paupers was sent from Galway to take up land granted them by a Catholic bishop in Minnesota. There they encountered the worst winter in the state's history and nearly froze to death in shanties on the prairie. National and international newspapers featured their plight as the welfare scandal of the year, and priests and politicians traded accusations as to who was responsible. The immigrants were at last removed from the colony; their name became the town's shorthand for lying, drunken failures. By chance more than a century later, Bridget Connelly, who grew up in Graceville, discovers her Connemara past. As Connelly uncovers the deliberately suppressed history of her family's emigration, she exposes an old scandal that surrounded the settling of the land around Graceville, one that pitted Masons, Protestants, Germans, and Yankees against Irish Catholics -- and one that set lace-curtain Irish against the Connemara paupers. She also learns of an archbishop who was, according to farmer lore, 'worse than Jesse James'. In this compelling combination of history and memoir, Connelly tells stories of an epochal blizzard, a famous Irish bard, an infamous Irish woman pirate, feuding frontier communities, and an archbishop's questionable legacy. She also learns why her family tried so hard to forget Ireland.

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