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John Richard Hersey (1914-1993), a Pulitzer Prize-winning American writer and Mew Journalist. A 36-member panel under the aegis of New York University's journalism department judged "Hiroshima" the finest piece of journalism of the 20th century.
Timeless and compassionate account of the catastrophic event which heralded the coming of the atomic age.
This compelling autobiography tells the life story of famed manga artist Nakazawa Keiji. Born in Hiroshima in 1939, Nakazawa was six years old when on August 6, 1945, the United States dropped the atomic bomb. His gritty and stunning account of the horrific aftermath is powerfully told through the eyes of a child who lost most of his family and neighbors. In eminently readable and beautifully translated prose, the narrative continues through the brutally difficult years immediately after the war, his art apprenticeship in Tokyo, his pioneering "atomic-bomb" manga, and the creation of Barefoot Gen, the classic graphic novel based on Nakazawa's experiences before, during, and after the bomb. This first English-language translation of Nakazawa's autobiography includes twenty pages of excerpts from Barefoot Gen to give readers who don't know the manga a taste of its power and scope. A recent interview with the author brings his life up to the present. His trenchant hostility to Japanese imperialism, the emperor and the emperor system, and U.S. policy adds important nuance to the debate over Hiroshima. Despite the grimness of his early life, Nakazawa never succumbs to pessimism or defeatism. His trademark optimism and activism shine through in this inspirational work.
Describing the sequence of events that led up to the use of the world's first atom bomb, this book uses contemporary photography, diagrams and maps to illustrate the consequences of the bomb and the impact it has had in the nuclear age.
'The room was filled with a blinding light. She was paralysed by fear, fixed still in her chair for a long moment. Everything fell.' 2015 is the 70th anniversary of Hiroshima, when, on 6 August at 8.15am, an atomic bomb was dropped over the Japanese city, killing one hundred thousand men, women and children in its white fury. John Hersey's spare, devastating report on the attack was first published in the New Yorker in 1946. Written in the immediate aftermath of the disaster, it chronicles what happened through the eyes of six civilians who survived against the odds. It is a classic piece of journalism, and a defining moment of the nuclear age. 'One of the most powerful writers of modern times' Washington Post
Three survivors of Hiroshima bear witness to the horrific event in prose and poetry
When President Harry Truman authorized the use of atomic weapons against Japan, he did so to end a bloody war that would have been bloodier still had the planned invasion of Japan proved necessary. Revisionists claim that Truman's real interest was a power play with the Soviet Union and that the Japanese would have surrendered even earlier had the retention of their imperial system been assured. Truman wanted the war to continue, they insist, in order to show off America's powerful new weapon. This anthology exposes revisionist fallacies about Truman's motives, the cost of an invasion, and the question of Japan's surrender. Essays by prominent military and diplomatic historians reveal the hollowness of revisionist claims, exposing the degree to which these agenda-driven scholars have manipulated the historical record to support their contentions. They show that, although some Japanese businessmen and minor officials indicated a willingness to negotiate peace, no one in a governmental decision-making capacity even suggested surrender. And although casualty estimates for an invasion vary considerably, the more authoritative approximations point to the very bloodbath that Truman sought to avoid. Volume editor Robert Maddox first examines the writings of revisionist Gar Alperovitz to expose the unscholarly methods Alperovitz employed to support his claims, then distinguished Japanese historian Sadao Asada reveals how difficult it was for his country's peace faction to prevail even after the bombs had been dropped. Other contributors point to continuing Japanese military buildups, analyze the revisionists' low casualty estimates for an invasion, reveal manipulations of the Strategic Bombing Survey of 1946, and show how even the exhibit commemorating the fiftieth anniversary of the bombing at the Smithsonian National Air and Space Museum hewed to the revisionist line. And a close reading of Tsuyoshi Hasegawa's acclaimed Racing the Enemy exposes many grave discrepancies between that recent revisionist text and its sources. The use of atomic bombs against Japan remains one of the most controversial issues in American history. Gathered in a single volume for the first time, these insightful readings take a major step toward settling that controversy by showing how insubstantial Hiroshima revisionism really is--and that sometimes history cannot proceed without decisive action, however regrettable.

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