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Excerpt from Fairy Tales for Children Standard fairy tales retold in the attractive style of their editor. Hardy Queen Titania's book of fairy tales. 314 p. Illus. Sq. O. N. Y. 1887. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Children's Classic Stories is a timeless collection of fairytales, fables and folktales. Many you will know by heart, others you will be familiar with and some will be new to you. Charming illustrations by renowned children's artists bring to life much-loved characters such as Dick Whittington and Snow White--and introduce many new ones-- to keep you entertained time and time again. This book contains favorites such as Hansel and Gretal, Snow White and the seven dwarfs, Sleeping Beauty and Aladdin and the Lamp to name just a few. There are tales of fairytale magic, Animals big and small, stories about boys and girls, wizards and witches, giants and genies--a wealth of entertainment for all ages.
Excerpt from The Princess in the Fairy Tale: A Garden Fairy Story for Children in One Act Nurse (waking with a start, and rushing to the princess shaking her by the shoulder) Drat the child! Take your thumb out of your mouth! (she fishes a handkerchief out of the prin cess' pinafore pocket.) And let three drops fall on your handkerchief at once! What sort of a Fairy Tale Princess are you - to let an opportunity like that go to waste. Oh, dear, Oh, dear! (she tries to squeeze the princess' finger over the handkerchief.) princess (jerking her hand away, and sticking her thumb in her mouth again) I Will put my thumb in my mouth. I will. I will. (she beats a tattoo on the stool with her heels.) I won't put three drops on my handkerchief to make another old fairy tale - so it can be lost, and the Dragon eat it, or the pixies steal it, or the Prince find it. Of course he would find it and come ourishing back with the silly thing to me. They always end the same way. I'm tired of 'em. I am. I am! I'm sick of being the Princess in the Fairy Tale! Yah! About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
Excerpt from The Disobedient Kids: And Other Czecho-Slovak Fairy Tales The little hen happening to look up, wondered what he was up to and then ran to see. When she saw that he was choking, she be came greatly frightened and looked in all directions for help. Suddenly she happen ed to think of the spring and away she ew to get a drop of his water. Again the woman made a demand. She said, Unless you bring me some silk from the Queen of Saba, I will not give you the kerchief The little hen was pretty well tired by this time, but she did not dispair. She felt quite sure that the good Queen would help her. Dear Queen, pray let me have a bit of silk which the peasant woman says she must have. Then I will get the kerchief from the peasant woman to give it to the linden tree, who will give me a leaf for the spring, who will give me a drop of water, so that I can save the little cock. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
Excerpt from Heroes and Fairies: Tales Every Child Should Know; A Selection of the Best Hero Tales and Fairy Tales of All Times About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The famous stage-designer Ivan Bilibin was a self-taught artist who was lucky enough to be offered the commission of a lifetime at the very start of his career. In 1899 the Department for the Production of State Documents asked this young Russian artist to illustrate a series of fairy tales, a task that took him four years to complete and inspired his finest work, reflecting his deep love for his country and his passionate interest in its national dress and wooden architecture. This, with ten other traditional tales, make up the collection for which all Bilibin's original artwork has been faithfully reproduced. Gillian Avery has provided a retelling of the texts which admirably complements Bilibin's distinctive illustration, itself rooted in the stylized forms of Russian folk and medieval art.

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