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** The Sunday Times Top Ten Bestseller ** ** The New York Times Top Ten Bestseller ** The UK's best selling hardback debut novel of 2016 Selected as a Book of the Year 2016 in the Evening Standard, Observer and The Times California. The summer of 1969. In the dying days of a floundering counter-culture a young girl is unwittingly caught up in unthinkable violence, and a decision made at this moment, on the cusp of adulthood, will shape her life.... 'This book will break your heart and blow your mind.' Lena Dunham Evie Boyd is desperate to be noticed. In the summer of 1969, empty days stretch out under the California sun. The smell of honeysuckle thickens the air and the sidewalks radiate heat. Until she sees them. The snatch of cold laughter. Hair, long and uncombed. Dirty dresses skimming the tops of thighs. Cheap rings like a second set of knuckles. The girls. And at the centre, Russell. Russell and the ranch, down a long dirt track and deep in the hills. Incense and clumsily strummed chords. Rumours of sex, frenzied gatherings, teen runaways. Was there a warning, a sign of things to come? Or is Evie already too enthralled by the girls to see that her life is about to be changed forever?
NEW YORK TIMES BESTSELLER An NPR Best Book of 2016 An Entertainment Weekly Best Book of 2016 A Slate Best Book of the Year A Washington PostNotable Fiction Pick Ms. Straub writes with such verve and sympathetic understanding of her characters. . .[An] entertaining novel. . .deftly and thoughtfully written. Michiko Kakutani, The New York Times It s Friends meets Almost Famous meets the beach read you ll be recommending all summer. TheSkimm Straub serves up a perfect slice of the zeitgeist with this entertaining novel about former college bandmates raising their precocious children while grappling with marital tensions and midlife crises. People, Named one of "Summer's Best Books" From the author of the New York Times bestseller The Vacationers, a smart, highly entertaining novel about a tight-knit group of friends from college and what it means to finally grow up, well after adulthood has set in. Friends and former college bandmates Elizabeth and Andrew and Zoe have watched one another marry, buy real estate, and start businesses and families, all while trying to hold on to the identities of their youth. But nothing ages them like having to suddenly pass the torch (of sexuality, independence, and the ineffable alchemy of cool) to their own offspring. Back in the band's heyday, Elizabeth put on a snarl over her Midwestern smile, Andrew let his unwashed hair grow past his chin, and Zoe was the lesbian all the straight women wanted to sleep with. Now nearing fifty, they all live within shouting distance in the same neighborhood deep in gentrified Brooklyn, and the trappings of the adult world seem to have arrived with ease. But the summer that their children reach maturity (and start sleeping together), the fabric of the adult lives suddenly begins to unravel, and the secrets and revelations that are finally let loose about themselves, and about the famous fourth band member who soared and fell without them can never be reclaimed. Straub packs wisdom and insight and humor together in a satisfying book about neighbors and nosiness, ambition and pleasure, the excitement of youth, the shock of middle age, and the fact that our passions be they food, or friendship, or music never go away, they just evolve and grow along with us."
The cabin had always been a special retreat for Isherwood Williams, a haven from the demands of society. But one day while hiking, Ish was bitten by a rattlesnake, and the solitude he had so desired took on dire new significance. He was sick for days — although, somehow, he never doubted that he'd live through the ordeal. Often delirious, he did awake at one point to find two strangers peering in at him from the cabin door. Yet oddly, instead of offering help, the two ran off as if terrified. Not long after that, the coughing began. Ish suffered chills followed by fever, and a measles-like rash that had nothing to do with snake bite broke out on his skin. He was one of the few people in the world to live through that peculiar malady, but he didn't know it then. Ish headed home when he finally felt himself again—and noticed the strangeness almost immediately. No cars passed him on the road; the gas station not far from his cabin had an air of abandonment; and he was shocked to see the body of a man lying by the roadside near a small town. Without a radio or phone, Ish had no idea of humanity's abrupt demise. He had escaped death, yet could not escape the awesomeness of the catastrophe—and, with an eerie detachment, he found himself curious as to how long it would be before all traces of man's civilization faded from the Earth. At the same time, he couldn't help wondering whether others had survived, and whether even a handful of human beings would
From the editor of the popular Annotated Pride and Prejudice comes an annotated edition of Jane Austen’s Emma that makes her beloved tale of an endearingly inept matchmaker an even more satisfying read. Here is the complete text of the novel with more than 2,200 annotations on facing pages, including: -Explanations of historical context -Citations from Austen’s life, letters, and other writings -Definitions and clarifications -Literary comments and analysis -Maps of places in the novel -An introduction, bibliography, and detailed chronology of events -Nearly 200 informative illustrations Filled with fascinating information about everything from the social status of spinsters and illegitimate children to the shopping habits of fashionable ladies to English attitudes toward gypsies, David M. Shapard’s Annotated Emma brings Austen’s world into richer focus.
In one of her personal letters, Jane Austen wrote "Little Matters they are to be sure, but highly important." In fact, letter-writing was something of an addiction for young women of Jane Austen's time and in her social position, and Austen's letters have a freedom and familiarity that only intimate writing can convey. Wiser than her critics, who were disappointed that her correspondence dwelt on gossip and the minutiae of everyday living, Austen understood the importance of "Little Matters," of the emotional and material details of individual lives shared with friends and family through the medium of the letter. Ironic, acerbic, always entertaining, Jane Austen's letters are a fascinating record not only of her own day-to-day existence, but of the pleasures and frustrations experienced by women of her social class which are so central to her novels. Vivien Jones's selection includes nearly two-thirds of Austen's surviving correspondence, and her lively introduction and notes set the novelist's most private writings in their wider cultural context.
English Writers - A Bibliography with Vignettes