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I WAS BORN, SEPTEMBER 1985, IN THE VORTEX OF THE LOWER EAST SIDE OF NEW YORK: THERE WERE FEW RULES OF LIFE AND ZERO CONTRAINTS ON BEHAVIOUR. IF YOU WERE NOT ECCENTRIC, YOU WERE WEIRD. It was a tenement building at the centre of the drug-addled, punk-edged, permanent riot that was iO's corner of the Lower East Side of New York City in the '80s and 90's. There iO grew up - or rather scrabbled up - under the broken wing of a fiercely protective, yet wildly negligent mother. Rhonna was a showgirl, actress, dancer, poet. A widow by police murder, she was also an addict. She doted and obsessed over iO, yet lacked an understanding that a child needs food and sleep and safety. Unfolding in animated, crystalline prose, an emotionally raw, devastatingly powerful memoir of one young person's extraordinary coming of age - a tale of gender and identity, freedom and addiction, rebellion and survival in the 1980s and 1990s, when punk poverty, heroin and art collided in the urban bohemia of New York's Lower East Side. Darling Days is also a provocative examination of culture and identity, of the instincts that shape us and the norms that deform us, and of the courage and resilience of a child listening closely to their deepest self. When a group of boys refuse to let the six-year-old play ball, iO instantly adopts a new persona, becoming a boy named Ricky, a choice the parents support and celebrate. It is the start of a profound exploration of gender and identity through the tenderest years, and the beginning of a life invented and reinvented at every step. Alternating between the harrowing and the hilarious, Darling Days is the candid, tough, and stirring memoir of a young person in search of an authentic self as family and home life devolve into chaos until iO escapes to Germany and then England to become an amazingly talented, exciting, edgy artist and wonderful writer.
Born into the beautiful bedlam of downtown New York in the eighties, iO Tillett Wright came of age at the intersection of punk, poverty, heroin, and art. This was a world of self-invented characters, glamorous superstars, and strung-out sufferers, ground zero of drag and performance art. Still, no personality was more vibrant and formidable than iO’s mother’s. Rhonna, a showgirl and young widow, was a mercurial, erratic glamazon. She was iO’s fiercest defender and only authority in a world with few boundaries and even fewer indicators of normal life. At the center of Darling Days is the remarkable relationship between a fiery kid and a domineering ma—a bond defined by freedom and control, excess and sacrifice; by heartbreaking deprivation, agonizing rupture, and, ultimately, forgiveness. Darling Days is also a provocative examination of culture and identity, of the instincts that shape us and the norms that deform us, and of the courage and resilience it takes to listen closely to your deepest self. When a group of boys refuse to let six-year-old, female-born iO play ball, iO instantly adopts a new persona, becoming a boy named Ricky—a choice iO’s parents support and celebrate. It is the start of a profound exploration of gender and identity through the tenderest years, and the beginning of a life invented and reinvented at every step. Alternating between the harrowing and the hilarious, Darling Days is the candid, tough, and stirring memoir of a young person in search of an authentic self as family and home life devolve into chaos.
I WAS BORN, SEPTEMBER 1985, IN THE VORTEX OF THE LOWER EAST SIDE OF NEW YORK: THERE WERE FEW RULES OF LIFE AND ZERO CONTRAINTS ON BEHAVIOUR. IF YOU WERE NOT ECCENTRIC, YOU WERE WEIRD. It was a tenement building at the centre of the drug-addled, punk-edged, permanent riot that was iO's corner of the Lower East Side of New York City in the '80s and 90's. There iO grew up - or rather scrabbled up - under the broken wing of a fiercely protective, yet wildly negligent mother. Rhonna was a showgirl, actress, dancer, poet. A widow by police murder, she was also an addict. She doted and obsessed over iO, yet lacked an understanding that a child needs food and sleep and safety. Unfolding in animated, crystalline prose, an emotionally raw, devastatingly powerful memoir of one young person's extraordinary coming of age - a tale of gender and identity, freedom and addiction, rebellion and survival in the 1980s and 1990s, when punk poverty, heroin and art collided in the urban bohemia of New York's Lower East Side. Darling Days is also a provocative examination of culture and identity, of the instincts that shape us and the norms that deform us, and of the courage and resilience of a child listening closely to their deepest self. When a group of boys refuse to let the six-year-old play ball, iO instantly adopts a new persona, becoming a boy named Ricky, a choice the parents support and celebrate. It is the start of a profound exploration of gender and identity through the tenderest years, and the beginning of a life invented and reinvented at every step. Alternating between the harrowing and the hilarious, Darling Days is the candid, tough, and stirring memoir of a young person in search of an authentic self as family and home life devolve into chaos until iO escapes to Germany and then England to become an amazingly talented, exciting, edgy artist and wonderful writer.
An award–winning writer delivers a major reckoning with religion, place, and sexuality in the aftermath of 9/11 Hailed in The Washington Post as “one of the most eloquent and probing public intellectuals in America,” Richard Rodriguez now considers religious violence worldwide, growing public atheism in the West, and his own mortality. Rodriguez’s stylish new memoir—the first book in a decade from the Pulitzer Prize finalist—moves from Jerusalem to Silicon Valley, from Moses to Liberace, from Lance Armstrong to Mother Teresa. Rodriguez is a homosexual who writes with love of the religions of the desert that exclude him. He is a passionate, unorthodox Christian who is always mindful of his relationship to Judaism and Islam because of a shared belief in the God who revealed himself within an ecology of emptiness. And at the center of this book is a consideration of women—their importance to Rodriguez’s spiritual formation and their centrality to the future of the desert religions. Only a mind as elastic and refined as Rodriguez’s could bind these threads together into this wonderfully complex tapestry.
In the late summer of 2007, shares of Northern Rock went into free-fall, causing a run on the bank - the first in over 150 years. Northern Rock proved to be only the first. Twelve months later, as the world was engulfed in the worst banking crisis for more than a century, one of its largest banks, RBS, came within hours of collapse. Back from the Brink tells the gripping story of Alistair Darling's one thousand days in Number 11 Downing Street. As Chancellor, he had to avert the collapse of RBS hours before the cash machines would have ceased to function; at the eleventh hour, he stopped Barclays from acquiring Lehman Brothers in order to protect UK taxpayers; he used anti-terror legislation to stop Icelandic banks from withdrawing funds from Britain. From crisis talks in Washington, to dramatic meetings with the titans of international banking, to dealing with the massive political and economic fallout in the UK, Darling places the reader in the rooms where the destinies of millions weighed heavily on the shoulders of a few. His book is also a candid account of life in the Downing Street pressure cooker and his relationship with Gordon Brown during the last years of New Labour. Back from the Brink is a vivid and immediate depiction of the British government's handling of an unprecedented global financial catastrophe. Alistair Darling's knowledge and understanding provide a unique perspective on the events that rocked international capitalism. It is also a vital historical document.
In this searing and riveting New York Times bestseller, Olympic gold medalist Dominique Moceanu reveals the dark underbelly of Olympic gymnastics, the true price of success…and the shocking secret about her past and her family that she only learned years later. At fourteen years old, Dominique Moceanu was the youngest member of the 1996 US Women’s Olympic Gymnastics team, the first and only American women’s team to take gold at the Olympics. Her pixyish appearance and ferocious competitive drive quickly earned her the status of media darling. But behind the fame, the flawless floor routines, and the million-dollar smile, her life was a series of challenges and hardships. Off Balance vividly delineates each of the dominating characters who contributed to Moceanu’s rise to the top, from her stubborn father and long-suffering mother to her mercurial coach, Bela Karolyi. Here, Moceanu finally shares the haunting stories of competition, her years of hiding injuries and pain out of fear of retribution from her coaches, and how she hit rock bottom after a public battle with her parents. But medals, murder plots, drugs, and daring escapes aside (all of which figure into Moceanu’s incredible journey), the most unique aspect of her life is the family secret that Moceanu discovers, opening a new and unexpected chapter in her adult life. A mysterious letter from a stranger reveals that she has a second sister—born with a physical disability and given away at birth—who has nonetheless followed in Moceanu’s footsteps in an astonishing way. A multilayered memoir that transcends the world of sports, Off Balance will touch anyone who has ever dared to dream of a better life.
An elegant, deeply felt memoir from Maryse Wolinski—journalist and widow of the late cartoonist Georges Wolinski, who died in the terrorist attack on the French satirical magazine Charlie Hebdo—that is both a beautiful tribute to her late husband and a rallying call to action. “Darling, I’m going to Charlie.” These were the last words that prolific satirical cartoonist Georges Wolinski said to his wife, Maryse, as he left for work. Two hours later, terrorists barged into the Paris offices of the Charlie Hebdo magazine, fatally shooting him and eleven others. Maryse remembers her marriage to Georges—forty-seven years of love and devotion—and the swift, cruel manner in which she lost him. From her grief comes a demand for answers as she investigates the failings of the French government in their security measures, especially when another terrorist attack occurs just eight months later. A celebrated journalist in her own right, Maryse writes with both clarity and authority, all the while exploring what made her relationship with Georges so singularly strong. Darling, I’m Going to Charlie is not only one woman’s beautiful tribute to her late husband, but also a stunning, courageous testimony and inspiring call for change.

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