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Communicating the design intent, from initial briefing through the design stage and on to the actual construction is vital to the success of any building project. This book looks at communication across physical, organisational and cultural barriers with a view to improving the design and construction process. The authors investigate communication issues across physical, organisational and cultural barriers and present clear guidance and practical advice.
Communication within project-based environments presents special challenges. This is especially true within the construction industry, where interaction tends to be characterised by unfamiliar groups of people coming together for short periods before disbanding to work on other endeavours. This book examines communication at a number of levels ranging from interpersonal interactions between project participants to corporate communication between organizations. Several non-typical perspectives on the process of communication are introduced to encourage the reader to think about communication in a more innovative manner. The combination of differing perspectives illustrates the diversity of communication problems facing those working within project-based environments. Practical guidance is provided on possible solutions to communication problems, and a number of examples and case studies are presented.
Construction teams are usually complex, interdisciplinary and temporary, and, as such, the need for effective communication is crucial. However, published data regarding the manner in which individuals interact within the temporary project team is scarce, with little other than anecdotal evidence available. Recognizing this gap, Communication in Construction Teams provides a comprehensive overview of the literature on interpersonal communication and delivers a critical review of various research methods previously used in and outside the construction management field. Making use of Bales' interaction process analysis (IPA), a tool used successfully in many fields to collect interaction data, the text investigates the link between successful projects and the effectiveness of communication, finding that participants in the construction process exhibit regular patterns of interaction and, most significantly, that there are different patterns of interaction associated with successful and unsuccessful projects. Putting forward a number of practical suggestions to assist all actors involved in construction projects, this insightful publication will be of interest to researchers in the fields of building design and construction management.
Today, students are more familiar with other cultures than ever before because of the media, Internet, local diversity, and their own travels abroad. Using a social constructionist framework, Inter/Cultural Communication provides today's students with a rich understanding of how culture and communication affect and effect each other. Weaving multiple approaches together to provide a comprehensive understanding of and appreciation for the diversity of cultural and intercultural communication, this text helps students become more aware of their own identities and how powerful their identities can be in facilitating change—both in their own lives and in the lives of others.
The construction industry is redefining effective partnering through the implementation of common information exchange standards - and no one can afford to be left behind. In a text that is steered towards commercial objectives rather than towards technological discussion, this book sets out the commercial issues driving, or hampering, recent developments, aiming to dispel the many myths that generate excuses for inertia. Business managers will then be able to make informed decisions and achieve operational benefits.
Parmi les abondantes ressources du fonds Alberto Sartoris conservé aux Archives de la construction moderne, la collection de revues d'art et d'architecture constitue un ensemble capital. Son secteur le plus spectaculaire est celui des "revues d'avant-garde" des années 1920 et 1930. Vitrines de l'identité propre aux différents groupes qui les publient et de la communauté qui les lie, elles sont le support d'une expérimentation visuelle foisonnante (typographie, construction de l'image). C'est elle qui justifie d'abord la sélection présentée ici, composée de couvertures emblématiques de quelque soixante titres célèbres ou - le plus souvent - méconnus. Mais ces images témoignent également d'un processus caractéristique, où les programmes utopistes et totalisants de l'avant-garde historique s'abîment dans la Crise pour se subordonner aux réalités d'une "architecture moderne" en voie d'institutionnalisation.

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