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Sheed's classic translation of Augustine's Confessions. True to the original, and in a subtle and dignified English translation, let this be a cornerstone of your library.
In this new translation the brilliant and impassioned descriptions of Augustine's colourful early life are conveyed to the English reader with accuracy and art. Augustine tells of his wrestlings to master his sexual drive, his rare ascent from a humble Algerian farm to the edge of the corridors of high power at the imperial court of Milan, and his renunciation of secular ambition and marriage as he recovered the faith that his mother had taught him. It was in a Milan garden that Augustine finally achieved the act of will to Christian conversion, which he compared to a lazy man in bed finally deciding it is time to get up and face the day.
When Yuko Moriguchi's four-year-old daughter died in the middle school where she teaches, everyone thought it was a tragic accident. It's the last day of term, and Yuko's last day at work. She tells her students that she has resigned because of what happened - but not for the reasons they think. Her daughter didn't die in an accident. Her daughter was killed by two people in the class. And before she leaves, she has a lesson to teach... But revenge has a way of spinning out of control, and Yuko's last lecture is only the start of the story. In this bestselling Japanese thriller of love, despair and murder, everyone has a confession to make, and no one will escape unharmed.
Written between 397 and 400 A.D., "The Confessions of Saint Augustine" is thought to be the first autobiography in Western civilization and is considered by many to be one of the most important religious works of all time. While not a complete account of Augustine's life, for Augustine wrote "Confessions" in his early forties and would live well into his seventies, it is one of the most complete first-hand accounts of anyone's life from the fourth or fifth century, in which the author outlines the sins of his youth and conversion to Christianity. "The Confessions" tells of its author's upbringing in Algeria, his place at the Imperial court of Milan, his struggle to overcome his sexual desires, and the ultimate dedication of his life to Christ and Christian ways. "The Confessions" are not simply a recount of the author's life but a true exploration of what it is to be Christian and the struggles that one must overcome in order to find Christ and live a more pious life. A pioneering work of autobiography, "The Confessions" remains one of the most important works of spiritual devotion ever written. This edition is printed on premium acid-free paper, follows the translation of Edward Bouverie Pusey, and includes an introduction by Arthur Symons.
The Confessions of Saint Augustine is considered one of the greatest Christian classics of all time. It is an extended poetic, passionate, intimate prayer that Augustine wrote as an autobiography sometime after his conversion, to confess his sins and proclaim God's goodness. Just as his first hearers were captivated by his powerful conversion story, so also have many millions been over the following sixteen centuries. His experience of God speaks to us across time with little need of transpositions. This acclaimed new translation by Sister Maria Boulding, O.S.B., masterfully captures his experience, and is written in an elegant and flowing style. Her beautiful contemporary translation of the ancient Confessions makes the classic work more accessible to modern readers. Her translation combines the linguistic accuracy demanded by 4th-century Latin with the poetic power aimed at by Augustine, not as discernable in previous translations.
In his own day the dominant personality of the Western Church, Augustine of Hippo today stands as perhaps the greatest thinker of Christian antiquity, and his Confessions is one of the great works of Western literature. In this intensely personal narrative, Augustine relates his rare ascent from a humble Algerian farm to the edge of the corridors of power at the imperial court in Milan, his struggle against the domination of his sexual nature, his renunciation of secular ambition and marriage, and the recovery of the faith his mother Monica had taught him during his childhood. Now, Henry Chadwick, an eminent scholar of early Christianity, has given us the first new English translation in thirty years of this classic spiritual journey. Chadwick renders the details of Augustine's conversion in clear, modern English. We witness the future saint's fascination with astrology and with the Manichees, and then follow him through scepticism and disillusion with pagan myths until he finally reaches Christian faith. There are brilliant philosophical musings about Platonism and the nature of God, and touching portraits of Augustine's beloved mother, of St. Ambrose of Milan, and of other early Christians like Victorinus, who gave up a distinguished career as a rhetorician to adopt the orthodox faith. Augustine's concerns are often strikingly contemporary, yet his work contains many references and allusions that are easily understood only with background information about the ancient social and intellectual setting. To make The Confessions accessible to contemporary readers, Chadwick provides the most complete and informative notes of any recent translation, and includes an introduction to establish the context. The religious and philosophical value of The Confessions is unquestionable--now modern readers will have easier access to St. Augustine's deeply personal meditations. Chadwick's lucid translation and helpful introduction clear the way for a new experience of this classic. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

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