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OVER 33 MILLION BOOKS SOLD WORLDWIDE Olav lives the lonely life of a fixer. When you ‘fix’ people for a living – terminally – it’s hard to get close to anyone. Now he’s finally met the woman of his dreams. But there are two problems. She’s his boss’s wife. And Olav’s just been hired to kill her. From the bestselling author of BAFTA-nominated Headhunters, comes Jo Nesbo’s Blood on Snow.
From the internationally acclaimed author of the Harry Hole novels—a fast, tight, darkly lyrical stand-alone novel that has at its center the perfectly sympathetic antihero: an Oslo contract killer who draws us into an unexpected meditation on death and love. This is the story of Olav: an extremely talented “fixer” for one of Oslo’s most powerful crime bosses. But Olav is also an unusually complicated fixer. He has a capacity for love that is as far-reaching as is his gift for murder. He is our straightforward, calm-in-the-face-of-crisis narrator with a storyteller’s hypnotic knack for fantasy. He has an “innate talent for subordination” but running through his veins is a “virus” born of the power over life and death. And while his latest job puts him at the pinnacle of his trade, it may be mutating into his greatest mistake. . . . From the Hardcover edition.
"From the internationally acclaimed author of the Harry Hole novels--a new, electrifying stand-alone thriller set in Oslo in the 1970s: the story of an unusually complicated contract killer--the perfectly sympathetic antihero--that is, as well, an edgy, almost lyrical meditation on death and love. This is the story of Olav: an extremely talented "fixer" whose unexpected capacity for love is as far-reaching as his talent for murder. He works for Oslo's crime kingpin, "fixing" anyone who causes him trouble. But it's becoming clear to Olav that the more you know about your boss's business, the more your boss might want you fixed yourself, especially if you've fallen in love with his wife ..."--
**From the internationally acclaimed author of the Harry Hole novels—a new, electrifying stand-alone thriller set in Oslo in the 1970s: the story of an unusually complicated contract killer—the perfectly sympathetic antihero—that is, as well, an edgy, almost lyrical meditation on death and love. **This is the story of Olav: an extremely talented "fixer" whose unexpected capacity for love is as far-reaching as his talent for murder. He works for Oslo's crime kingpin, "fixing" anyone who causes him trouble. But it's becoming clear to Olav that the more you know about your boss's business, the more your boss might want you fixed yourself, especially if you've fallen in love with his wife.... Review "A fine novel ...suspenseful. Blood on Snow has a lot of that romanticised masculinity one finds in for example mafia movies... it's one of the contributing factors in making the best passages in this novel truly wonderful literature. If I were to highlight one particular quality, it would have to be how beautifully Nesbo has drawn up his main character and how effective Olav's narrative voice is." Dagbladet (Norway) "The story echoes many sources, for example mob films, Spaghetti Westerns, hard-boiled crime and social melodrama...The end, especially, is nothing less than a stylistic masterclass" Dagens Naringsliv (Norway) "Jo Nesbo's unstoppable joy of storytelling has found a new avenue" VG (Norway) "Blood on Snow is Nesbo's own "pulp fiction", in two senses. It's both a tribute to the simple, hard-boiled narrative style from the old days, but there are also parallels with Quentin Tarantino films... Nesbo's joy of telling stories doesn't leave anything to wish for. As a tribute to the genre, Blood on Snow also succeeds in reminding us that many of these role models had literary qualities that should not be underestimated." Dagsavisen (Norway) About the Author JO NESBO is a musician, songwriter, and economist, as well as a writer. His Harry Hole novels include The Snowman, The Leopard, and Phantom and he is the author of several stand-alone novels, including The Son, as well as the Doctor Proctor series of children’s books. He is the recipient of numerous awards, including the Glass Key for best Nordic crime novel. www.jonesbo.com
Set at the time of the Russian Revolution, the end of a centuries old dynasty, the rise of the Bolsheviks sent shockwaves around the world. This is the story of one man who was there. It's real history - about the riches and excesses, the glory of the Russian nobility, Nicholas and Alexandra, their haemophiliac son, Alexei, notorious Rasputin, Lenin and Trotsky who ruled from palaces where the Czars had once danced till dawn. The man was real too, his name was Arthur Ransome. He was a writer, accused of being a spy, perhaps even a double agent, and he left his wife and beloved daughter and fell in love with Russia and a Russian woman, Evgenia. Fictionalising history and blending it with real life, part i is told as a fairy tale. Wise and foolish kings, princesses, enchantresses (characters more suited to fairy tale than reality), wishes and magic, Russia with its vast cold plains and mighty cities, its riches and poverty, all play a part in the downfall of the Czars and rise of the new order. Part ii is about betrayal - Ransome the spy, bleak and threatening. Part iii is a love story, a fairy tale, ending - of Ransome's love for his daughter, Tabitha, and for Evgenia.
From the internationally best-selling author........ A wayward hitman, mourning a recent loss, arrives in a tiny town on Norway's far northeastern border. He calls himself Ulf and gives a halfhearted excuse for his presence, but the locals, who seem as if out of a folk story from a previous century, ask him few questions and supply him with food, shelter, and a gun. In his previous life, Ulf worked as a fixer for The Fisherman, one of the cruelest drug kings in Oslo, a man whose reach spans the globe. After acting foolishly (but out of mercy and desperation) Ulf has now become the man his boss needs fixed. Can this strange town—and especially a curious, lonely boy with his taciturn mother—offer Ulf a chance at redemption while he awaits the arrival of those who would hunt him down?
Günter Koschorrek wrote his illicit diary on any scraps of paper he could lay his hands on, storing them with his mother on infrequent trips home on leave. The diary went missing, and it was not until he was reunited with his daughter in America some forty years later that it came to light and became Blood Red Snow. The author’s excitement at the first encounter with the enemy in the Russian Steppe is obvious. Later, the horror and confusion of fighting in the streets of Stalingrad are brought to life by his descriptions of the others in his unit – their differing manners and techniques for dealing with the squalor and death. He is also posted to Romania and Italy, assignments he remembers fondly compared to his time on the Eastern Front. This book stands as a memorial to the huge numbers on both sides who did not survive and is, some six decades later, the fulfilment of a responsibility the author feels to honour the memory of those who perished.

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