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Hermione's parents are separating - and although they're trying to deal with everything in the best way possible, it's difficult for Hermione not knowing who she'll end up living with, or where her home will be. At least she's got the school skiing trip to France to look forward to for a break from all the stress of being at home! The Girls Can Vlog gang are all excited - vlogging about what to pack and how to look good and stay safe on the slopes. Unfortunately for them, Dakota (the prettiest and meanest girl in school) is also coming on the trip, and she's planning to do everything she can to cause trouble. Will the Girls Can Vlog holiday fun be over as soon as it's begun? An inspirational story about the power of vlogging - complete with tips for making your own vlogs!
Will a forty-year-old woman with everything on the line – her high-stakes career, ticking biological clock, bank account – risk it all for an intensely lusty secret romance with the one person who could destroy her comeback, for good? Jenna Jones, former It-girl fashion editor, is broke and desperate for a second chance. When she’s dumped by her longtime fiancé and fired from Darling magazine, she begs for a job from her old arch nemesis, Darcy Vale. The beyond-bitchy publisher of StyleZine.com, Darcy agrees to hire her rival – only because her fashion site needs a jolt from Jenna’s old school cred. But Jenna soon realizes she’s in over her head. She’s working with digital-savvy millennials half her age, has never even “Twittered,” and pretends to still be a Fashion Somebody while living a style lie (she sold her designer wardrobe to afford her sketched-out studio, and now quietly wears Walmart’s finest). Worse? The twenty-two-year-old videographer assigned to shoot her web series is driving her crazy. Wildly sexy with a smile Jenna feels in her thighs, Eric Combs is way off-limits – but almost too delicious too resist.
Distant Desires An erotic tale from beyond the stars Sophie Perez has never believed the stuff she reads online about possible life in space. Aliens are for the movies, for the weirdoes, and they most definitely are not real. One night on the way home from a late shift at work, her car breaks down. Stranded on the side of a country road, with a dead cell phone, doesn't seem like that big of a deal. Until strange neon lights appear in the sky. She thinks it is her imagination. When an inexplicable circular ship appears overhead, she can't deny what's clearly right in front of her. Especially when moments later, she's taken onto the ship, a human hostage among those who are most definitely not human. About to become a human guinea pig, possibly worse, the last thing she ever expects is to like the things these otherworldly beings subject her to. In fact, it is unlike anything she's ever experienced. Will Sophie find her way back to her planet, or will she beg to stay where her pleasure is literally out of this world?
New York City model Finley is fed up with hearing the same feedback at castings: she needs to take some serious action to wipe the "good girl" stamp from her resume if she wants to launch to stardom. Enter Eddie Wells. He's shallow, predictable...and just as lost as Finley feels. Deep down, Finley is drawn to Eddie's bravado, his intensity. Except Eddie is hiding something. A big something. And when it surfaces, both loving and leaving Finley will become so much harder.
Every race has a finish line. Where you go after you cross it is what matters most.
Good evening. I'm Inspector Carter. Take my case. This must be Charles Haversham! I'm sorry, this must've given you all a damn shock. After benefitting from a large and sudden inheritance, the inept and accident-prone Cornley Polytechnic Drama Society embark on producing an ambitious 1920s murder mystery. They are delighted that neither casting issues nor technical hitches currently stand in their way. However, hilarious disaster ensues and the cast start to crack under the pressure, but can they get the production back on track before the final curtain falls? The Play That Goes Wrong is a farcical murder mystery, a play within a play, conceived and performed by award-winning company Theatre Mischief. It was first published as a one-act play and is published in this new edition as a two-act play.

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