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In 1972, Joyce Maynard, an undergraduate at Yale, wrote an article for the New York Times Magazine called 'An Eighteen Year Old Looks Back on Life'. Among the hundreds of letters she received as a result, one expressed deep affection for her writing, and concern at the exploitation that she might be subjected to. The writer was J.D. Salinger, author of Catcher in the Rye and famous recluse. Their correspondence led first to friendship, and then to love, and after a few months she dropped out of college to live with him. In spite of the thirty-five year difference in their ages, she believed they would be together always - but after a year, he sent her away. Courageous, beautifully written and affecting, this book is destined to become a classic memoir of a modern woman's life.
As Tsh Oxenreider, author of Notes From a Blue Bike, chronicles her family’s adventure around the world—seeing, smelling, and tasting the widely varying cultures along the way—she discovers what it truly means to be at home. The wide world is calling. Americans Tsh and Kyle met and married in Kosovo. They lived as expats for most of a decade. They’ve been back in the States—now with three kids under ten—for four years, and while home is nice, they are filled with wanderlust and long to answer the call. Why not? The kids are all old enough to carry their own backpacks but still young enough to be uprooted, so a trip—a nine-months-long trip—is planned. At Home in the World follows their journey from China to New Zealand, Ethiopia to England, and more. They traverse bumpy roads, stand in awe before a waterfall that feels like the edge of the earth, and chase each other through three-foot-wide passageways in Venice. And all the while Tsh grapples with the concept of home, as she learns what it means to be lost—yet at home—in the world. “In this candid, funny, thought-provoking account, Tsh shows that it’s possible to combine a love for adventure with a love for home.” —Gretchen Rubin, New York Times bestselling author of The Happiness Project and Better Than Before
From every quarter we hear of a new global culture, postcolonial, hybrid, announcing the death of nationalism, the arrival of cosmopolitanism. But under the drumbeat attending this trend, Timothy Brennan detects another, altogether different sound. Polemical, passionate, certain to provoke, his book exposes the drama being played out under the guise of globalism. A bracing critique of the critical self-indulgence that calls itself cosmopolitanism, it also takes note of the many countervailing forces acting against globalism in its facile, homogenizing sense. The developments Brennan traces occur in many places--editorial pages, policy journals, corporate training manuals, and, primarily, in the arts. His subject takes him from George Orwell to Julia Kristeva, from Subcommandante Marcos to Julio Cortzar, from Ernst Bloch to contemporary apologists for transnational capitalism and "liberation management," from "third world" writing to the Nobel Prize, with little of critical theory or cultural studies left untouched in between. Brennan gives extended treatment to two exemplary figures: the Trinidadian writer C. L. R. James, whose work suggests an alternative approach to cultural studies; and the Cuban writer Alejo Carpentier, whose appreciation of Cuban popular music cuts through the usual distinctions between mass and elite culture. A critical call to arms, At Home in the World summons intellectuals and scholars to reinvigorate critical cultural studies. In stripping the false and heedless from the new cosmopolitanism, Brennan revitalizes the idea.
"Followers and newcomers to Nhat Hanh’s teaching alike will find this collection inspiring for everyday practice and for social engagement in the world."—Publishers Weekly This collection of autobiographical and teaching stories from peace activist and Zen Master Thich Nhat Hanh is thought provoking, inspiring, and enjoyable to read. Collected here for the first time, these stories span the author’s life. There are stories from Thich Nhat Hanh’s childhood and the traditions of rural Vietnam. There are stories from his years as a teenaged novice, as a young teacher and writer in war torn Vietnam, and of his travels around the world to teach mindfulness, make pilgrimages to sacred sites, and influence world leaders. The tradition of teaching the Dharma through stories goes back at least to the time of the Buddha. Like the Buddha, Thich Nhat Hanh uses story–telling to engage people’s interest so he can share important teachings, insights, and life lessons.
Something of a nomad himself, having lived in New Zealand, Sierra Leone, England, France, Australia, and the United States, Jackson is deft at capturing the ambiguities of home as a lived experience among the Warlpiri. Blending narrative ethnography, empirical research, philosophy, and poetry, he focuses on the existential meaning of being at home in the world. Here home becomes a metaphor for the intimate relationship between the part of the world a person calls "self" and the part of the world called "other." To speak of "at-homeness," Jackson suggests, implies that people everywhere try to strike a balance between closure and openness, between acting and being acted upon, between acquiescing in the given and choosing their own fate. His book is an exhilarating journey into this existential struggle, responsive at every turn to the political questions of equity and justice that such a struggle entails.
The compelling story of a beautiful and versatile South Indian dance form
Includes statistical tables.

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