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A Portrait of the Artist as a Young Man would establish Joyce as a leader in the movement know as literary modernism. It is set in late 19th century Ireland, and features the education of a young man, Stephen Dedalus, Joyce's alter ego. His education is not only scholarly, but an intellectual, emotional and moral formation as he sheds himself of his Roman Catholic roots and develops as a writer. A Portrait of the Artist is not a breezy read. There's not a whole lot of action either - it's almost all an introspective, impressionistic meandering of a budding author. The plot line and prose can be difficult, which will require a closer reading. That said, this is a cornerstone of literature for its description of a once innocent young boy who grows dissatisfied with the world, and grows at odds with himself philosophically and psychologically. Journey through Joyce's head as a young man as his Dadalus overturns nearly every facet of his life: religion, class, his education, and morality.
A Portrait of the Artist as a Young Man is the first novel of Irish writer James Joyce. A Künstlerroman in a modernist style, it traces the intellectual and religio-philosophical awakening of young Stephen Dedalus, a fictional alter ego of Joyce and an allusion to Daedalus, the consummate craftsman of Greek mythology. Stephen questions and rebels against the Catholic and Irish conventions under which he has grown, and culminates with his self-exile from Ireland in Europe. The work uses techniques that Joyce developed more fully in Ulysses. The early youth of Stephen Dedalus is recounted at a vocabulary level of Stephen's own as he grows, in a voice not his own but sensitive to his feelings. The reader experiences Stephen's fears and bewilderment as he comes to terms with the world in a series of disjointed episodes. Stephen attends school at Jesuit-run Clongowes Wood College, where the apprehensive, intellectually gifted boy suffers the ridicule of his classmates while he learns the schoolboy codes of behaviour. While he cannot grasp their significance, at a Christmas dinner he is witness to the social, political, and religious tensions in Ireland involving Charles Stewart Parnell that drives bitter wedges between members of his family, leaving Stephen with doubts over which social institutions he can place his faith in.[16] Back at Clongowes, word spreads that a number of older boys have been caught "smugging"; discipline is tightened, and the Jesuits increase use of corporal punishment. Stephen is strapped when one of his instructors believes he has broken his glasses to avoid studying; prodded by his classmates, Stephen works up the courage to complain to the rector Father Conmee, who assures him there will be no such recurrence, leaving Stephen with a sense of triumph.
This casebook offers a comprehensive introduction to this landmark in modern fiction. The essays collected here will help first-time readers, teachers, and advanced scholars gain new insight into Joyce's semi-autobiographical story of an Irish boy's slow and difficult discovery of his artistic vocation. Mark Wollaeger's introduction provides an overview of the composition and early reception of A Portrait of the Artist as a Young Man as well as a survey of some of the recurrent issues debated by literary critics. Essays by Hugh Kenner and Patrick Parrinder offer both indispensable overviews of the entire novel-its themes, structure, and idiom-and close attention to specific interpretive cruxes. Other essays include classic responses by Wayne Booth, Fritz Senn, Michael Levenson, H�l�ne Cixous, and a newly revised and expanded version of Maud Ellmann's groundbreaking "Polytropic Man." Together the essays bring into focus the wide range of questions that have kept A Portrait fresh for the new millennium.
Stephen Dedalus, a sensitive and creative youth, rebels against his family, education, and country by committing himself to the artist's lifestyle.
Seminar paper from the year 2008 in the subject English - Literature, Works, grade: 1,7, Free University of Berlin (Englische Philologie), course: Surveying English Literatures - Sons & Fathers in Modern Autobiography and Fiction, language: English, abstract: The relationship between father and son is picked out as a central theme throughout literary history. In Modernism this topic is paid special attention due to new philosophical and psychological approaches. Ideas like Freud's psychoanalysis allowed new perspectives on identity that often resulted in a dispute with the previous generation. The conflict between father and son lends itself to portrait this confrontation on a personal level as well as to refer to a wider social context. The concept of patriarchy, the rule of the father, is embedded in every social structure of society: the nuclear family, the Catholic community, the national state. Therefore, contemplation about these bodies metaphorically represents a confrontation with the father. Joyce as one of the major Modernism authors consecrates himself to the topic of father-son-relationships in his autobiographical Kunstlerroman A Portrait of the Artist as a Young Man . The author seizes the topic to portrait crucial points in the development of the protagonist, Stephen Dedalus. Moreover, the construction of the potential father figures points to the underlying theoretical concept of fatherhood and paternity. Joyce uses the concept of paternity to display his concept of authorship. A discussion of the terms fatherhood and paternity will serve as the foundation of my analysis. A clear distinction between the two terms is helpful in order to descry potential father figures and to differentiate social interaction (fatherhood) from philosophical debate (paternity). Male adults who take the role of a father to Stephen are his biological father Simon Dedalus and the priests of the Roman Catholic Church. Additionally, other father figures appear: Stephen's nam"
Thornton takes a fresh look at important psychological and cultural issues in this novel, arguing that although it may be a classic text of literary modernism, it is a fundamentally antimodernist work. This comprehensive and thoughtful book provides readers with a new cultural critique and intellectual history of 'Portrait', which promises to become one of the major discussions of the novel.

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